<span>"Yet Gregor's sister was playing so beautifully. Her face was leant to one side, following the lines of music with a careful and melancholy expression. Gregor crawled a little further forward, keeping his head close to the ground so that he could meet her eyes if the chance came. Was he an animal if music could captivate him so? It seemed to him that he was being shown the way to the unknown nourishment he had been yearning for. He was determined to make his way forward to his sister and tug at her skirt to show her she might come into his room with her violin, as no-one appreciated her playing here as much as he would."
This passage shows that he still enjoys music, which is a human trait.</span>
Answer:
Orwell makes extensive use of animal sounds and movements to describe action; his figurative usage turns ordinary description into onomatopoeia. Animal characters are "stirring" and "fluttering" in movement while "cheeping feebly" and "grunting" communications. Old Major, the father figure of the animal's revolution, sings the rallying song "Beasts of England." Orwell describes the answering chorus in a frenzy of onomatopoeic imagery: "the cows lowed it, the dogs whined it, the sheep bleated it, the ducks quacked it." As the ruling class of pigs becomes more human, Orwell subtly drops barnyard verbiage and instead uses "said" for dialogue attributions.
Perhaps they will lead Roger to commit other crimes and do other devilish things, or perhaps they will weigh heavily on his conscience as a result of his dishonest means of procuring them.
Answer:
I think the answer is A.
Explanation:
Im on the same question. im taking the exam rn.
