The author uses synaesthesia aswell as imagery and similes.
Answer: Ben Franklin and Frederick Douglass write the stories of their lives, but Douglass's narrative is inner directed and reveals his innermost thoughts, while Franklin's is outer directed and he writes with posterity in mind. Douglass writes of his suffering in slavery. On the very first page, he says, "A want of information concerning my own [life] was a source of unhappiness to me even during childhood." Douglass often uses metaphors and symbols to represent his yearning for freedom. For example, when he looks at the sail boats moving out of Chesapeake Bay towards the ocean, he clearly associates them with his desire to escape north and find freedom.
Explanation:
The value of family runs throughout the film Coco as its core theme. If we are fortunate enough to be loved and cared for by a family, we should show them our love in return.
Never forget them, even after they have crossed over to the other side. The plot of Coco by Disney Pixar centers on little Miguel's search for his great-great grandfather in the Land of the Dead.
In spite of death, family history may endure the years and continue to influence our families for many generations to come, as Coco serves as a powerful reminder. our personal grieving journeys.
To learn more about Coco here:
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I think it is C, because if I'm right present principal is something that is happening presently? If so, C would be the answer because they "are doing" the exercises right now in context.
“Bernice Bobs Her Hair” is largely a discussion of the value of femininity, and of what society expects of a young woman in 1920s America. Nearly every character in this story, major or minor, holds some opinion on the matter—and both Bernice and Marjorie evaluate themselves against the traditional feminine standard, to different conclusions. Fitzgerald uses this very difference to underscore the struggle that teenage girls faced in 1920: that is, being forced to define themselves as a demographic while lacking the maturity to do so in a healthy way. The older model of femininity, represented by Marjorie’s mother, Mrs. Harvey, values women who are delicate, quiet, and marriage-minded. By the 1920s, this approach had become useless in preparing young women for the world. However, the new model that Marjorie represents—aiming to shock, amuse, and allure as many boys as possible—tends to reward only personalities like hers, and offers only shallow rewards at that. Bernice can find no comfortable place between these two extremes, and both sides threaten unpleasant consequences if she fails to conform. Ultimately, Fitzgerald doesn’t propose a solution to this problem, but shows, in Bernice, the impossibility of perfectly conforming to society’s standards of femininity.
