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SpyIntel [72]
2 years ago
9

Meaning of:

English
1 answer:
kobusy [5.1K]2 years ago
7 0

Answer:

Take her back while you can because she is not honorable

Explanation:

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find two metaphors in this paragraph the teacher went around the room asking each student to say their name and favorite game. I
andre [41]

Answer:

But, my mouth was a sandy desert.

Explanation:

Not sure if there is another metaphor? is this the whole paragraph?

6 0
2 years ago
Othello is about a man who wrongfully suspects his wife of infidelity, becomes consumed with jealousy, and murders her. What is
Tema [17]

C)  They dramatize the greatness that Othello eventually loses.

5 0
3 years ago
Match the italiczed clause to its function in the sentence.
timama [110]

Answer:

1. Noun clause acts as subject.

2. Indirect object.

3. Direct Object.

4. Appositive.

5. Object of preposition.

Explanation:

Noun Clause is word which plays role of a noun in a sentence.

Indirect Object explains about the whom the action ahs been performed.

Direct object is recipient of an action who performs the verb himself.

Appositive is a phrase which help to provide details about noun. It explain the noun.

Predicate noun contains a verb and it tells about noun.

6 0
2 years ago
The phrase "for a joke" at the end of the fourth stanza serves to _______________________.A) create some humor in the passage.B)
bija089 [108]

Answer:

The correct answer is option D) show that nature can be harsh and unfeeling.

Explanation:

At the end of the fourth stanza of the poem <em>Sea Lullaby</em> written by <em>Elinor Wylie</em>, the phrase "for a joke" refers to the fact that nature has no regrets for that murdered child. As if it were a joke for her. <em>"She choked him and beat him to death, for a joke." </em>

The sea, in all its greatness dragged him and hit him with its waves.

Another form of insensitivity is when the author says <em>"Now in silence she lingers, Beside him all night, To wash her long fingers, In silvery light.”. </em>

3 0
3 years ago
How does Bentham’s theory of Surveillance manifest itself in the society of 1984?
g100num [7]

Answer:

The philosopher Jeremy Bentham famously requested in his will that his body be dissected and put on public display. This came to pass, and his skeleton now sits in a glass case at University College London, adorned with a wax head, waistcoat and jacket and sat on a wooden stool, staring out at students from its glass case.

Bentham was regarded as the founder of utilitarianism and a leading advocate of the separation of church and state, freedom of expression and individual legal rights. And now, from beyond the grave, his cadaver contains a webcam that records the movements of its spectators and broadcasts them live online, part of UCL’s PanoptiCam project which tests, amonst other things, surveillance algorithms. As I write this, a young couple are walking across the corridor, his hand pressed against the small of her back.

Prof Melissa Terras, director of the UCL Centre for Digital Humanities, tells me that the camera is used to learn the best way “to identify and count different people in still images, accurately.” UCL are hoping that it will spark discussion around contemporary surveillance, but it isn’t a coincidence that this webcam is attached to Bentham’s box. The PanoptiCam project is a pun on the “panopticon”, a type of institutional building that has long dominated Bentham’s legacy.

He describes the prisoner of a panopticon as being at the receiving end of asymmetrical surveillance: “He is seen, but he does not see; he is an object of information, never a subject in communication.”

As a consequence, the inmate polices himself for fear of punishment.

“The principle is central inspection,” Schofield tells me. “You can do central inspection by CCTV. You don’t need a round building to do it. Monitoring electronic communications from a central location, that is panoptic. The real heart of Bentham’s panoptic idea is that there are certain activities which are better conducted when they are supervised.”

In many ways, the watchtower at the heart of the optician is a precursor to the cameras fastened to our buildings – purposely visible machines with human eyes hidden from view.

The parallels between the optician and CCTV may be obvious, but what happens when you step into the world of digital surveillance and data capture? Are we still “objects of information” as we swipe between cells on our smartphone screens?

Explanation:

5 0
3 years ago
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