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HACTEHA [7]
1 year ago
11

Help????Upload your 150 word step-by-step guide for someone who wants to sew a seam, but doesn't know how. Make sure you give sp

ecific details and clear, easy-to-follow directions.
Arts
1 answer:
Ket [755]1 year ago
7 0

Stitching a seam for the beginners is not an easy task but they have to follow step by step instructions to sew a seam.

<h3>What are the process of sew a seam through a machine?</h3>

First fabric is to be pinned from its edges, facing each other. Then, set the seam allowance.

Put the backstitches on the fabric with 2.5 length. After backstitches, comes forward and start sewing in straight line.

End the backstitches with 1/4 inch away from the edges and iron the fabric which is ready to wear.

Learn more about the sew the seam here:-

brainly.com/question/16627562

#SPJ1

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Explanation:

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3 years ago
Dude, like who's this bro!??
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Soos (Old Man McGucket in the background)

From Gravity Falls

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Pop Songs you wrote from your head that i can re edit it
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(More like a poem but my friends said it could be turned into a song so-)

I saw the woeful scarcity of my generation destroyed,

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4 0
2 years ago
Which Miles Davis selections did you listen to? Describe the music in details? I choose so what.
scoundrel [369]

Answer:

Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.

The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.

Explanation:

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