Answer:
A). Although Audrey was young, she was not afraid, and Wash thought a person must be crazy to not have a fear of the police.
Explanation:
'We've Got a Job' authored by Cevia Levinson discusses the 'Birmingham's Children's March of 1963' in which the students of elementary as well as middle and high school participated voluntarily to hold the civil rights movement.
As per the question, the second statement reveals that how the participation in march influenced Audrey to give up her fear(when she said 'I didn't have any..') and show courage to fight for the rights while Wash had a transformation in his thoughts as he experienced that 'the police was murderers' which made him infer that 'people who don't fear them(police) must be crazy.' Therefore, <u>option A</u> is the correct answer.
A sounds the best to me but maybe not I think it's your opinion
Spanish should be capitalized because it's a proper noun.
The correct answers are:
1)In this passage the authorship point of view allows the narrator to A)tells a story more objectively.
2)The effect of telling the sory from a third person limited point of view is B) The reader can experience everythin Levi thought and felt.
3) The point of view in the story would be accurately described as B)Third person limited.
The second question already states that the narrator is telling the story from a third person limited point of view. This kind of narrative voice only knows what one character felt or thought, and the story is strongly focused on him, but we also see what surrounds him. This is different from a third person omniscient, that would be a god-like figure who could switch focus from one character to another, knowing what everyone felt or did.
This point of view allows to tell a story more objectively since we do not receive the information directly from the character and his limited views like a first person narrator would. We know what the main character is doing and thinking without the obvservations or the subjective perspectives of the characters. We are "watching" the plot from outside the frame.
