Question

You have been chosen by the Abercrombie and Fitch Institute of Theatrical Studies to explore Kabuki Theater in Japan. You will be using the techniques of participant observation, structured interview, and a third technique of your choice from the class to learn about life and experience of one theater company. Discuss whether this is qualitative or quantitative research and explain why you say that. Describe the three research techniques you are using (above) and discuss how you will use each of these. Give examples of three questions you will ask. (Remember that your answer must be at least 250 words long.)

Answer 1

Answer:

This article is about Japanese theater. For American political pretense, see Kabuki dance. For other uses, see Kabuki (disambiguation).

Not to be confused with Noh.

The July 1858 production of Shibaraku at the Ichimura-za theater theatre in Edo. Triptych woodblock print by Utagawa Toyokuni III.

Onoe Kikugorō VI as Umeō-maru in Sugawara Denju Tenarai Kagami.

Kabuki  is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate kumadori make-up worn by some of its performers.Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century.

Explanation:

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