Answer:
John Wilkes booth was a strong supporter of the South.
Explanation:
When the Civil War began, Booth was a strong supporter of the Southern resistance. During a performance in Albany, New York he revealed his admiration for the South’s secession, calling it “heroic.” His audience was enraged, calling his words “treasonous statements,” but their shouts did little to curb his success. Booth did not appreciate the political outcome of the presidential election. When Lincoln was elected, Booth drafted a long statement discrediting the abolitionist movements of the North, but the statement was never published. Booth was reportedly outspoken about his love for the South and hatred for Lincoln.With this hatred and tension building up, Booth decided that he was going to kill the president.
The correct answer is...
C. to foreshadow how the haircut will affect Bernice
I believe the answer is d
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
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