The "time signature" at the beginning of the piece tells how many beats there will be in each measure, and what size note will receive one beat. From there on, all the different size notes in the piece are figured from that. It can even change during the piece, but if that happens, then there has to be a new time signature at the place in the music where it changes.
Answer:
An elderly home by the outskirts of town.
Explanation:
Answer:
That is a good question I was wondering the same thing.
Explanation:
The first one. Description
I say that because it help develop the character.
Answer:
The best transitions to complete the passage includes:
At first;
However;
In addition;
In the end;
Certainly
Explanation:
In “Lather and Nothing Else,” the barber faces the challenge of shaving the enemy, a cruel captain.
At first, he reflects on all the terrible things the captain has done. Then, he explains his internal conflict over whether to kill the captain when he has a chance.
However, he does not believe in murder.
In addition, he takes great pride in his work.
In the end, he controls his emotions and lets the captain live.
Certainly, overcoming his own emotions is his greatest challenge.
"Lather and Nothing Else" is a story by Hernando Tellez.
The story is about a revolutionary barber who has a customer called captain Torres. Captain Torres killed the barber's fellow revolutionaries in trying to suppress revolutionaries.
When captain Torres went to have a shave from the barber, the barber had an internal conflict of whether to revenge by killing the captain or not for all the terrible things the captain has done. But in the end, the barber controlled his emotions and let the captain live.
The passage is completed with conjunctive adverbs
