Stanza 5 contributes to the speaker's depiction of their experiences by portraying them as overcoming their emotional turmoil.
<h3>What is a Stanza?</h3>
This is defined as series of lines in a group which divides a poem as in the case of stanza 5 which contains the following below:
"A<em>nd then a Plank in Reason, broke,</em>
<em>And I dropped down, and down....</em>."
This helps to portray speaker's experience as overcoming their emotional turmoil which is why option A was chosen.
Read more about Stanza here brainly.com/question/11617526
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Answer:
The amount of potassium chloride that can dissolve in water increases by 0.3 grams for every 1 degree Celsius increase in temperature.
Explanation:
Given
Required
Interpret 0.3
We make use of the following illustration to answer this question.
Let C = 1
Let C =2
Let C = 3
Notice that when the values of C increases by 1(i.e. from 1 to 2 and 2 to 3), the values of A increases by 0.3
i.e.
Hence, option D is true
These basic properties are vital to the survival of life. Water's polarity and surface tension makes it a powerful solvent for sugars, amino acids, and proteins; water can easily hold and transport substances necessary for life within and outside of living things.
The two ideas shown by the Veil are:
- Discrimination influences the way people view themselves.
- A clear separation exists among people of different races.
<h3>What does the Veil mean?</h3>
According to W. E. B. Du Bois, there is a veil that separates the societies of Black people and White people such that there is a clear separation between these races.
This veil leads to discrimination against Black people who are then forced to view themselves in a certain light that paints them as inferior to the Whites.
Find out more on W. E. B. Du Bois at brainly.com/question/13833829.
Answer:
“Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
Explanation:
