easygoing.
idle.
inactive.
inert.
lackadaisical.
languid.
lax.
lazy.
dle, indolent, slothful, work-shy, shiftless, loafing, inactive, inert, sluggish, lethargic, languorous, listless, torpid, enervated, slow-moving, slow, heavy, dull, plodding
remiss, negligent, slack, lax, lackadaisical, impassive, good-for-nothing, do-nothing
leisurely
For the first one, I would start by mentioning the characters crime, add something about how it was inexcusable, then incorporate a condensed precis on the characters situation (leaving out any bits that could embody the characters freedom). And end with a statement that discloses that your appeal is unarguable because (enter main argument here) and that is why so and so should be imprisoned.
<span>For the second question, I would personally choose the feminist because it would in theory be easier to explain their basic philosophy and how it is affecting the plot. Because I don't know who the character is, I can't really elaborate further. But please contact me if you need any more help, I'll do what I can. </span>
Parallelism, if you mean the way he spoke. which is mostly meaning heavy adjectives.
D. third person voice and present tense verbs.
You use 3rd person because it is more formal. The teacher always says "don't use I!"
You use present tense to talk about the book because even though you as the writer already read the book, the person who is reading your analysis may not have read the book, so use present tense. For example, you should write, "The book states on page" instead of "The book stated on page"
