Answer:
in the past, young artists would study with a master artist to learn from him. They would copy his art in an attempt to gain his skill and wisdom and he was right there guiding them. Art historians are often able to identify these copies, but not always. As a result, there’s sometimes the risk that a collector will purchase an art piece attributed to a master when it was, in fact, his student’s work.
Answer:
1. He employed layering and overlapping
2. He painted the church in a dim color and used bright orange colors for the closer features in the foreground
3. He also used lighting
Explanation:
The Barfüsserkirche II (Church of the Minorities II) painting by Lyonel Feininger was done in 1926 and it depicted a church that may not be instantly recognized as such by an observer, surrounded by a building in the background. A ray of light seems to illuminate the church making it quite discernable.
The church seems to be deep into the background and this illusion was achieved through the dim color used for the church and the brighter colors used for the buildings encircling the church. Layering and overlapping were also used to create depth when the buildings in the foreground were placed in front while the church was placed in the background.
I think it is a type of maroon.
No i believe it was a mix of elements to make it seem as one unit
