Yes. that answer is correct. A+
Dramatic irony is a stylistic device that is most commonly used by storytellers, in plays, in the theater, and in movies. The irony is used as a plot device to create situations where the reader knows much more about the episodes and the resolutions before the chief character or characters.
Examples are:
In Merchant of Venice, the reader is aware that Lancelot is cheating his father openly; in Tempest, Prospero and the reader are aware of the presence of Gonzalo on the Island but Miranda does not.
In Romeo and Juliet, Romeo finds Juliet in deep and drugged slumber, assumes her dead, and kills himself ignorantly before Juliet wakes up, discovers her dead lover, and kills herself.
Answer:
The reader is able to see that Turner cares more about his friendship with Lizzie than the social taboo of hanging out on Malaga Island
Explanation:
According to the excerpt from Lizzie Bright and the Buckminster Boy, Reverend Buckminster is chiding Turner for meeting up with Lizzie a negro girl because he's scared of what the people and congregation would say. Rev. Buckminster says he doesn't care how Lizzie got there and what they discussed but Turner replies that it matters to him.
Therefore, Turner’s perspective affects this part of the story because the reader is able to see that Turner cares more about his friendship with Lizzie than the social taboo of hanging out on Malaga Island
Answer:
Explanation:
is naked feet warm by the fire, rubbing them at first, of course, with snow. The fire was a success. He was safe. He remembered the advice of the old-timer on Sulphur Creek, and smiled. The old-timer had been very serious in laying down the law that no man must travel alone in the Klondike after fifty below. Well, here he was; he had had the accident; he was alone; and he had saved himself. Those old-timers were rather womanish, some of them, he thought. All a man had to do was to keep his head, and he was all right. Any man who was a man could travel alone. But it was surprising, the rapidity with which his cheeks and nose were freezing. And he had not thought his fingers could go lifeless in so short a time. Lifeless they were, for he could scarcely make them move together to grip a twig, and they seemed remote from his body and from him.
