Which following if ur writing about a company u should start like this
so ans so company id=s known for its good qualitty products
That's an opinion, but other than that are you trying to make a point or is this a question?
The answer is to help the reader visualize a house bordered by smaller cottages
<em>He was spending his summer vacation, as he always did, with his mother at Grand Isle. In former times, before Robert could remember, "the house" had been a summer luxury of the Lebruns. Now, flanked by its dozen or more cottages, which were always filled with exclusive visitors from the "Quartier Français," it enabled Madame Lebrun to maintain the easy and comfortable existence which appeared to be her birthright.</em>
The author uses the word <u>flanked</u> meaning, according to Cambridge<em> "to be at the side of someone or something"</em> to let the reader imagine a large, luxurious and expensive house surrounded by small cottages but equally important since they were exclusive to the inhabitants of the French quarter.
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Answer:
Adjectives in the paragraph: <u><em>coloured, glittering, free-spirited, folk, memorable, circular, incessant</em></u>
Explanation:
This paragraph has many adjectives, not only two. An adjective is a class of words describing, modifying, or giving more information or detail about a noun. They can be placed preceding a noun or after a verb. Here are all adjectives found in the paragraph, next to them there is the noun they describe (the adjectives are underlined):
<u><em>coloured</em></u><em> costumes, </em>
<u><em>glittering</em></u><em> ornaments </em>
<u><em>free-spirited</em></u><em> movements </em>
<u><em>folk</em></u><em> dances</em>
<u><em>memorable</em></u><em> scene. </em>
<u><em>circular</em></u><em> movements,</em>
<em>the </em><u><em>incessant</em></u><em> throbbing of</em>
Answer:
In the late 1880s - 1890s, a new trend arose in France, which became widespread at the beginning of the 20th century - impressionism. Musical impressionism revived certain national traditions - the desire for concreteness, programmatism, sophistication of style, and transparency of texture. After World War I, French art showed tendencies to deny German influence, the desire for novelty and, at the same time, for simplicity. At this time, under the influence of composer Eric Satie and critic Jean Cocteau, a creative association was formed, called the French Six, whose members opposed themselves not only to Wagnerianism, but also to the impressionist “vagueness.”
Explanation:
