What is an example of genre |. Drama

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vichka [17]

D. To reveal the resolution of the conflict.

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2 years ago

Chapter 8

never [62]

Elie Wiesel and His Father in the Book 'Night'Our users give theirimpressions:Elie and his father were especially close at the death camps. Theywere inseparable, really. They loved each other and would not let that fade andbe separated. They would die for one another if it was necessary. His fatherdied. Elie was a witness to it. He never forgave himself for letting the SS manbeat his father to death since his father was ill and cried for water to feelbetter. Elie's relationship with his father is very close. However, therelationship between Elie and his father, Chlomo, changes throughout the novel.At the beginning of the novel, Elie and his father have a fairly closerelationship, apart from his father's commitments to the community (not havingtime for his kin (family). Even in saying that Elie loved and respected hisfather just as everyone in the community did. But further on in the novel, theydrift further and further apart. At some stage, Elie starts to feel that hisfather is a burden. And at the end Elie has no tears to cry when his fatherfinally dies.

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2 years ago

Use the drop-down menus to answer the questions about the plot of Animal Farm.

grandymaker [24]

Answer:

The philosophy used by Snowball, Napoleon, and Squealer in the novel is 'Animalism.'

The philosophy is based on Old Major's idea.

Explanation:

Animal Farm is an allegorical novel written by George Orwell. The novel is an allegory about Russian Revolution and Soviet Union.

In the novel Snowball, Napoleon, and Squealer developed a philosophy in the farm called 'Animalism.'

Animalism was a communist philosophy which states that all animals are equal thus should be treated equally and share equal responsibility and rewards. The philosophy of Animalism was based on the idea of Old Major, who in his speech to the farm. In his speech to the farm Old Major said that he had a vision of a farm in which he saw all animals are equal and without any oppression from humans. He urged his fellow animals to pursue this vision and desire to have a farm like this. Old Major taught them a song of 'Beasts of England' also which was based on his idea of equality of animals.

The beliefs of this philosophy was written in the Seven Commandments that was painted on the wall of the big barn.

However, as pigs came to power these ideas begin to change till it remained with the belief that all animals are equal but some animals are more equal than others.

3 0

3 years ago

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she ___ $60 every month by taking the bus. What is the present perfect tense of the verb “save”? a) saves b) was saving c) saved

Leviafan [203]

I will say (D) is the answer (Saved)

Hope This Helps :) <3

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3 years ago

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Critical essay on hamlet

ololo11 [35]

Answer:

An essential scene in Hamlet is the "play inside a play," intended to ensnare Claudius. In any case, a significant number of the characters are "play-acting," and numerous different scenes reverberation the overwhelming subject of figment and misleading. Follow the theme of acting, appearing, deception, and duplicity rather than earnestness, being, reality, and trustworthiness, as these characteristics are proved all through the play.

Thesis Statement: Many of the characters in Hamlet are associated with deception intended to bamboozle, sell out, or crush others. The common theme of acting, appearing, dream, and misleading instead of earnestness, being, reality, and trustworthiness shows this basic deception all through the play.

II. Act I

A. The sentinels banter whether the Ghost is genuine or "however our dream."

B. Hamlet discloses to Gertrude his sadness is certified: "I know not 'appears.'"

C. Laertes and Polonius both caution Ophelia that Hamlet's words and "tenders of affection" toward her might be false.

D. The Ghost alludes to Gertrude as "my most appearing to be a righteous ruler."

III. Act II

A. Polonius trains Reynaldo to utilize indirection to figure out how Laertes is comforting himself in Paris.

B. Rosencrantz and Guildenstern, and Polonius and Claud¬ius are on the whole endeavoring to discover through insidious methods what is pestering Hamlet.

C. Hamlet takes note of the flighty idea of the people, who once scorned Claudius, yet who currently pay the consequences for his "image is pretty much nothing."

D. Hamlet regrets that he, who has caused, can't vindicate his dad, while the performing artist can convincingly depict the feelings over fanciful characters and activities.

IV. Act III

A. Claudius and Polonius set Ophelia as the draw to Hamlet, to attempt to become familiar with the reason for his frenzy.

B. Claudius alludes to the inconsistency between his deed and "[his] most painted word."

C. Hamlet trains the Players to "hold, as 'twere, the mirror up to nature."

D. Hamlet is absolutely legitimate with Horatio about the Mousetrap plot on the grounds that Horatio is past complimenting, or being overwhelmed by erroneousness.

E. "The Mousetrap" and imbecilic show are "acting" or "appearing," and Hamlet's thought process in having it performed is ulterior.

F. Hamlet tells Rosencrantz and Guildenstern that they are "playing" him like a woodwind, and are not being straightforward with him.

G. Hamlet says his "tongue and soul in this be two-timers" as he goes to talk with Gertrude, with whom he is upset.

H. Claudius finds that his actual musings can't offer the path to his ideal activity of asking, yet Hamlet is tricked by the presence of Claudius at supplication and does not kill him.

I. Hamlet discloses to Gertrude that her deeds have given a false representation of her promises; he encourages her to "expect a prudence" on the off chance that she doesn't really have it.

V. Act IV

A. Claudius tells Gertrude of the need of influencing themselves to seem irreproachable in Polonius' demise.

B. Hamlet proceeds with the falsification of frenzy as he prods Claudius about Polonius' cadaver and his own takeoff for England.

C. Claudius uncovers the fencing plot to Laertes and says even Hamlet's mom will be persuaded his passing is a mishap.

D. Claudius inquires as to whether he adored Polonius, "Or would you say you resemble the artistic creation of distress,/A face without a heart what might you attempt/To show yourself indeed your dad's child More than in words?"

E. Claudius says they would be in an ideal situation not to endeavor the plot against Hamlet, since on the off chance that it comes up short "And . . . our float glance through our awful execution."

VI. Act V

A. Hamlet and Horatio, examining the similitude of all skulls in spite of the proprietor's station throughout everyday life, says not even cosmetics can shield a woman from looking simply like Yorick's skull.

B. Hamlet reprimands Laertes' show of pain as the second rate compared to his very own anguish and love for Ophelia, and jumps into the grave additionally, with the goal that his activities coordinate his emotions.

C. Hamlet's utilization of his dad's seal influenced the letters to have all the earmarks of being genuine.

D. The sword battle seems, by all accounts, to be real, however, is fixed against Hamlet's prosperity.

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2 years ago

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