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Answer: how hot the spear actually is An epic simile, or Homeric simile, is a rhetorical figure that compares, in a relatively lengthy manner, a strange or unfamiliar occurrence with a familiar event or thing. It is usually presented during moments of turmoil and it helps the reader reflect calmly on the scene being depicted.
In the excerpt above, the comparison is made between the blinding of the Cyclops with a hot spike, and how an iron spear is made by first making it hot and they quickly cooling it in order to mold it properly, just like the hot spear used by Odysseus cooled off as it entered the Cyclops eye.
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The four major qualities of Greek drama were that they were performed for special occasions (such as festivals), they were competitive (prizes were awarded for the best show), they were choral (singing was a large part of drama, and the chorus was all men, about 3 to 50 of them), and they were closely associated with …
Explanation:
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Program music is a technique that uses the sounds of instruments to paint an image of an object, character or scene in the listener's mind.
<h3 /><h3>Program music</h3>
It corresponds to a style of instrumental music with some extramusical meaning, such as an extramusical narrative, which can be derived from ideas, literature, legend, personal drama and scenic description.
An example of program music is the concerts "The four seasons" by Vivaldi, whose scores contain poetic inscriptions representing the four seasons of the year.
Find out more information about program music here:
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Answer:
a. Terraced dynamics
Explanation:
Terraced dynamics, a unique characteristic of Baroque music, has to do with a quick alteration in tempo or volume that does not involves a progressive crescendos and decrescendos. The harpsichord, the basic keyboard tool of the era, could majorly perform forte (loud) or piano (soft) only, and couldn't perform crescendo or decrescendo in between, and thus results in a quick shift in dynamics. It is a specific character of music that represents it's success.
In some cases, they were highlighted in the score, but a large sort of area, it was agreed upon mostly by the performers or were directed by conventions which was fully expressed to all musicians.