Pottery from Jōmon
period in Japan (Jōmon doki, <span>c. 14,500 - c. 300 BCE) is a type
of ancient earthenware pottery. The main characteristic of pottery decoration
was rope pressed patterns into clay, hence the name "Jōmon" which means
"rope-patterned". The pottery crafts from Jōmon period are the oldest
potteries in Japan and among the oldest in the world. The example above belongs
to the pottery made in Middle Jōmon period (Umataka Kaen) from Hokuriku region,
which is called 'fire-flame' for its 3D type decorations which resemble flames.
Pottery in this period is characteristic for thick walls, flamboyant decorations
and patterns (flame like) and molds with ropes, human faces, snakes and other
animal motifs.</span>
After we’re gone
Who will breathe the earth we lost
We leave nothing but our thoughts
And memories beneath the dust
So when this body fails to mend
And all my demons they come crashing in
Will I start to begin
Or will I fade away with them
And in the afterlife, tell me we’ll be fine
In the afterlife, tell me we’ll be fine
And in the afterlife, tell me we’ll be fine
In the afterlife
And in the afterlife, tell me we’ll be fine
In the afterlife, tell me we’ll be fine
And in the afterlife, tell me we’ll be fine
In the afterlife
So when this body fails to mend
And all the demons they come crashing in
Will we start to begin
Or will we fade away with them
And in the afterlife, tell me we’ll be fine
In the afterlife, tell me we’ll be fine
And in the afterlife, tell me we’ll be fine
In the afterlife
And in the afterlife, tell me we’ll be fine
In the afterlife, tell me we’ll be fine
And in the afterlife, tell me we’ll be fine
<span>In the afterlife
**idk the rest of the questions i just know the song**</span>
Answer:
Explanation:
One of the greatest, most influential Old Masters of Renaissance art, Giovanni Bellini was a major influence on Venetian painting and on the transformation of Venice from a minor artistic centre to a powerhouse of the Italian Renaissance rivalling Florence and Rome in importance. In particular, he established a distinct school of High Renaissance painting, based on a more sumptuous, colouristic style. By employing clear, slow-drying oil paints, he was able to create deep, sensuous tints, tones and detailed shadings, and thus produce outstanding religious paintings and portraits, as well as wonderful atmospheric landscapes. The best painter of the Renaissance in Venice, his methods had a great impact on his contemporaries and pupils, such as Giorgione (1477-1510), Sebastiano del Piombo (1485-1547) and Titian (c.1485/8-1576). In addition to this, he created some of the best drawings of the Renaissance.
Answer:
Nooooooooo you look very pretty UwU and you don't look stuck up either :3 You is very beautiful