The verbs "look" and "tell" have imperative mood, while the verb "see" has mood indicative.
We can reach this conclusion because:
- The indicative mood is presented when a verb is being used to issue an order or a request.
- The indicative mood is presented when the verb is being used to describe a fact, an action that is taking place.
With that, we can see in what the verbs "look" and "tell" are being used in the sentence to describe an order that the speaker is doing, and therefore, these two verbs have imperative mood. On the other hand, the verb "see" indicates an action that will occur, being in the indicative mood.
More information:
brainly.com/question/14780714?referrer=searchResults
The best example of a vivid sensory detail is B. “which confined me to the house for the afternoon as well as the forenoon”
This is shown as the description is vivid as it talks about the confinement of the narrator in the house and also in the forenoon as the readers are able to use their senses to create imagery.
<h3>What is a Sensory Detail?</h3>
This refers to the use of the five senses when narrating a story to an audience to make it more vivid and captivating.
Hence, we can see that the best example of a vivid sensory detail is B. “which confined me to the house for the afternoon as well as the forenoon”
Therefore, the correct answer is option B.
Read more about sensory details here:
brainly.com/question/2193708
#SPJ1
The question ask to choose among the following choices that states the type of external conflict that is reflected in the excerpt from act V of Romeo and Juliet and the best answer would be letter D. person versus person. I hope you are satisfied with my answer and feel free to ask for more if you have question and further clarification
Answer:
The overriding theme of "The Pedestrian" is the danger of technological domination. The society depicted in the story may be technologically advanced, but it is also soulless, with people spending their evenings zoned out in front of mindless TV shows
Explanation:
lol