Gilman expresses her feelings about the role women had in society at the time using the literary form of allegory. Allegorizing her own challenges, she demonstrates how she chose art [writing] over difficult experiences with women.
Gilman conveys the woman's mental state through a variety of literary strategies. Personification, imagery, and similes are a few of these. Additionally, she employs terms with unfavorable meanings like fungus, destroy, and lurid. Gilman refers to the wallpaper most frequently in figurative language.
The wallpaper unmistakably stands in for the narrator's imprisoning structures of family, medicine, and tradition. Wallpaper is a lowly and domestic material, and Gilman deftly employs this nightmare-inducing paper as a representation of the household existence that ensnares so many women.
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