Answer:
Grieve.
Explanation:
The way the question is set up, the answer would be grieve.
you cannot "grief" about someone but, you can have grief over something.
you can grieve, but you have to have grief.
The number is 438 because if you round 30 to the nearest 10 then it is 40
and the 4 in 438 stays the same.
Answer:
Montag kept on thinking about Clarisse while reading to Mildred because he found that 'Clarisse was the first person who looked at him as if he counted.' Clarisse took care of Montage which Mildred never did.
Montage is trying to understand while reading what Clarisse meant when she said that she knew how can one experience one's life.
Explanation:
'Fahrenheit 451' is a dystopian novel by Ray Bradbury. The novel is set in a society where books are burned down and people are manipulated by televised voices.
After getting the news about Clarisse's death, Mildred began to read books that he has stacked in the duct. While reading books to Mildred, Montag began to think about Clarisse. Clarisse was the first person in Montag's life who looked <em>straight at him as if he counted.'</em> Clarisse took care of Montag which Mildred also never did. Clarisse has a major impact on Montag's life
While reading Montag began to understand what Clarisse meant when she said that she knew how one can experience life. Montag was so lost in his reading and his thoughts about Clarisse that he even ignored hounds sniffing outside his house.
The right answer is:
The aspect of this passage which most creates suspense in the reader?
A. The use of figurative language
<em>Explanation:</em>
<em>In order for suspense to work in The Tell-Tale Heart by Allan Poe, this story needs figurative language. The vulture eye which terrifies and haunts the narrator builds suspense until it comes to a conclusion. </em>
<em>“It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness, all a dull blue, with a hideous veil over it that chilled the very marrow in my bones...</em>
<em>but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the spot.” </em>
<em>This language is giving little away to tease the reader. Edgar Allan Poe uses figurative language to develop an inventive story that averts a certain outcome with lots of suspense.</em>
