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Annette [7]
2 years ago
7

A fox one day thought of a plan to amuse himself at the expense of a stark, at whose odd appearance he was atways laughing. you

must come and dine with me today. he said to the stork, smiling to himself at the trick he was going to play. the stork gladly accepted the invitation and arived in good time with a very good appefite. for dinner, the fox served soup. but it was set out in a very shallow dish, and all the stork could do was wet the very fip of his bill. not a drop of soup could he get. but the fox lapped it up easily and to increase the disappointment of the stork, he made a great show of enjoyment. the hungry stork was much displeased at the trick, but he was calm, an even-tempered fellow and saw no good in flying into a rage. instead, not long afterward, he invited the fox to dine with him in turn. the fox arrived promptly at the fime that had been set, and the stork served a fish dinner that had a very appetizing smell. but it was served in a tall jar with a very narrow neck. the stork could easly get at the food with his long bill, but all the fox could do was to lick the outside of the jar. and sniff at the delicious odor. and when the fox lost his femper, the stork said calmly, "this dinner was delicious." fox didn't agree and stomped away angrily.
English
1 answer:
ivolga24 [154]2 years ago
3 0

The paragraph's main idea is: "Treat people like you want to be treated.

Be forceful." There are universal themes of love and objectivity.

What is a theme?

The theme in a story refers to the major message that the author wants to get over to the reader. It can also be used to describe a claim made in some literature that might or might not hold up under inspection.

A literary topic is the central idea or underlying meaning that a writer focuses on in a novel, short tale, or other literary work.

Themes can be communicated through characters, setting, dialogue, plot, or a combination of these elements, combination of these aspects can all be used to convey a story's theme.

The list below includes a few theme samples. They are follows:

  • In the end, good men always prevail.
  • Love is stronger than everything.

Learn more about Theme here-

brainly.com/question/27178269

#SPJ4

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What is Chesterton’s central idea in this essay, and how does he introduce it?
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The essay initially pretends to be a critique of a type of self-improvement book popular at the time, which claimed to tell how to achieve success. These books defined success strictly in financial terms and assumed that if anyone follows certain steps, they will be able to duplicate the accomplishments of wealthy business owners. However, Chesterton’s review of these books includes a broader social criticism. The focus on the definition of success strictly in terms of money is central to his essay. But wrapped around that issue is the idea that each person can or should perceive success on the same terms as a business leader. He illustrates the point by saying a donkey is successful at being a donkey as much as a millionaire is successful at being a millionaire, so there is no point in calling a donkey a failed millionaire or vice versa.


To counter the common assumptions about success, Chesterton describes people in various walks of life and how each might more realistically succeed. In this description, he suggests that these books falsely pretend to help people succeed in their own social circles and encourage people to try to become something they are not and cannot ever be.


Chesterton says these writers tell the ordinary man how he may succeed in his career—if he is a builder, he may succeed as a builder; or if he is a stockbroker, he may succeed as a stockbroker. Chesterton increases his satire at this point, commenting that the authors say a grocer may become a sporting yachtsman; a tenth-rate journalist may become a peer, which is a British nobleman; and a German Jew may become an Anglo-Saxon. Obviously, these transitions are unlikely or even impossible. Chesterton then criticizes the main assumption of these books and the society that produces it. By claiming that average people can follow in the steps of business tycoons such as Rothschild or Vanderbilt, the book's author is taking part in "the horrible mysticism of money," in which people worship the unlikely possibility of achieving great riches.



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zlopas [31]

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.

Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.

Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument.

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events she writes about?

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

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