The engine of the story is the narrator's insistence, not on his innocence (which would be normal) but on his sanity. But this reveals a self-destructive drive, since it is pretending to demonstrate sanity through guilt in crime. His denial of madness is based, above all, on the systematic nature of his homicidal behavior, on his precision and on the rational explanation of an irrational behavior. This rationality, however, is undermined by its lack of motivation - "There was no reason. There was no passion. »-. However, the murderer claims that the idea was hovering day and night in his head. Thus, the final scene is nothing more than the result of the character's guilt. Like many other characters in traditional macabre literature, passions dictate their nature. And despite all his efforts, evidently, the pretense of having heard the heart beat at a distance, despite his acute sensitivity, is the evidence of madness and insanity. Readers of the time surely felt very interested in the subject of the allegation of transient madness that recreates the story.
We wouldn’t have the resources we need to get through life such as cooking food, clothing for when we get cold, weapons to protect ourselves, and generally things to keep us alive. If we didn’t have fire we wouldn’t be able to stay warm, and healthy. If we didn’t have weapons like steel, iron, wood, we couldn’t make those things in to self defense mechanisms.
Answer:
Fragment
Explanation:
There is no specified subject, only verb.
