Answer with Explanation:
"Goody Cloyse" was a Christian woman who was also a<em> citizen of Salem village. </em>She was a spiritual adviser to people, especially when it comes to learning catechism and learning the Bible. On the other hand, "The Old Man" is considered the "Devil" in the story.
While the Old Man persuaded Young Goodman Brown to attend the ceremony in the forest, Goody Cloyse was teaching him of resisting the evil when in reality, she was actually a witch. This shows that Goody Cloyse disguised as someone who was good on the outside, yet also had the same goal with that of the devil. This shows an example of "hypocrisy" and how evil it can also be.
So, this explains the answer.
Answer:A
Explanation:because I did the question already and I got it right
Answer:
1.) use enough detail 2.) follow a natural order 3.) stick to your subject and don’t fall off track
Explanation:
you didn’t leave the three options so that’s the three main guidelines for writing
It reveals that the speaker’s mother tongue is not English and that his mastery of English is very substandard. The verbal conjugations present several mistakes, such as lack of differentiation of singular and plural conjugation, incorrect or missing use of appropriate verbal tenses (simple past tense), incorrect use of auxiliary verbs, incorrect use of gerunds and infinitives. The sentence construction is also deficient, discourse is plagued by fragments and lack of grammatical subjects.
Many people in Twelfth Night assume a disguise of one kind or another. The most obvious example is Viola, who puts on the clothing of a man and makes everyone believe that she is a male. This disguise causes great sexual confusion, as a bizarre love triangle results in which Viola is in love with Orsino, who loves Olivia—who loves Cesario, the male identity that Viola assumes. Thus, by dressing his protagonist in male garments, Shakespeare shows how malleable and self-delusional human romantic attraction can be.
Another character in disguise is Malvolio, who dresses oddly (in crossed garters and yellow stockings) in the hope of winning Olivia. In his case, the change of clothing suggests his belief that altering his wardrobe can lead to an alteration of his social status. When he dreams of being Olivia’s husband, he imagines himself above all in a different set of clothes, suggesting that class and clothing are inextricably linked. Later, after Malvolio has been declared mad and has been confined to a dark room, Feste, pretending to be the fictional priest Sir Topas in order to deceive Malvolio, puts on a disguise—even though Malvolio will not be able to see him since the room is so dark. This scene is particularly suggestive: Feste’s desire to wear a disguise even though his victim won’t see it implies that the link between clothes and reality goes deeper than mere appearances. For Feste, at least, the disguise makes the man—in order to be Sir Topas, he must look like Sir Topas. Ultimately, then, Shakespeare raises questions about human identity and whether such classifications as gender and class status are fixed entities or can be changed with a simple shift of wardrobe.
