Answer:
for some reason it took me forever to do this because it would not let me sent it without spaces.
Explanation:
T h e v e r d i c t f r o m t h e b u s h f i r e-
I a g r e e b e c a u s e t h e g o v e r n m en t responded to c o v i d-19 faster then they did to the australia bush fire.. The government did not make it a priority
Answer:
can you link the passage pls
Explanation:
thanks
Answer:
D). He is poised between two worlds but eager to be home.
Explanation:
As per the context(background) of the given passage, the author pairs verbs like 'balanced' along with 'leaped' to signal that although Altaf was composed under the two different worlds yet he wished to return to his home. The use of words like 'balance' symbolizes the readers that he was in a calm and assured disposition while the word 'leaped' signifies his delight and excitement to return to his home. Thus, the most appropriate <u>option D</u> is the correct answer.
Answer:
The one way mirror is a mirror for one and a window for the other side.
Explanation:
In <em>Through the looking glass</em> by the Washington Post, the author uses the one way mirror to describe the peculiar relation between the US and Canada.
For most Americans, i.e. United States citizens, Canada is an empty screen, for we either don´t know much of it or we are not interested. Or a mixture of both. Therefore the Americans are on the mirror side. We look at ourselves and can only imagine what is behind the mirror.
For the Canadians the mirror is a window that clearly shows how much the other side has influenced (economically, culturally) them. Of course the worldpower factor is decisive in the one way mirror comparison: The US, as the worldpower, cannot be bothered by taking neighbouring countries all too serious; Canada, on the other side, is submitted to play the small little brother that follows suit with everything big brother does.
All of the following can be used by writers to foreshadow events in a story except "<span>alliterative language". Alliterative language is a stylistic </span>method used by authors, not used for plot enhancement.
