Answer:
The establishment of Buddhism in Southeast Asia
Explanation:
Buddhism was able to spread outside India during the Mauryan Empire under Ashoka. Buddhism began to spread over the centuries, first to Southeast Asia, then to China and the rest of Asia in several ways. Buddha's teaching peacefully spread throughout Asia without any violence. Buddhism found its way to China through the Silk Route. King Ashoka sent monks to several territories to spread the teachings of the Buddha, especially in Sri Lanka. Tibet, China, Ceylon, Indonesia, Japan, and Korea were some of the countries where Buddhism was practised.
The United States was unprepared for the attack at Pearl Harbor because up until that point America was not involved in the war. It was at that point that we became involved in the war.
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Answer:
They thought it was <em>"The Better Choice" </em>because of its opposition to a central Federal System, which had lacked some respect for the Indian nations. 6 Tribes thought different from this reason.
Explanation:
Answer:
the County Clerk
Explanation:
Clerk of the County Commission, the Clerk's office is the “official record keeper” of the county; recording official copies of a wide range of documents including births, marriages, deaths, wills, deeds, mortgages, releases and many more.
The ornate vegetal forms and two-dimensional figural representations in Jahangir Preferring Sufi Shaikh to Kings are associated with Persian influence
Answer: Option C
<u>Explanation:</u>
The painting Jahangir Preferring Sufi Sheikh to Kings depicts Jahangir's opinion of the fact that Sufi is above the kings. The painting basically depicts the beginning of a new millennium and the emperor blessing the new millennium.
The Persian influence can be seen in this painting because the painting is feature rich and portrays a complex scene that can attract the attention of the viewers for hours. Persian paintings are supposed to be two-dimensional as is shown in the figurines in the paintings. The ornate vegetable forms are also important aspect of the Persian paintings.
