Medieval european art was largely concerned with

2 answers:

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A lot of it had to do with war and people thought dragons were real. But this also made art in honor of knights and other people.

Gnoma [55]3 years ago

6 0

Answer:

The European art of the medieval times were mostly based on religion.

Explanation:

This is the answer on edge.

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ILL GIVE BRANNIEST TO THE BEST ANSWER THIS IS DUE Explain in 2 paragraphs with 5-7 sentences telling what you think of optical i

dusya [7]

Answer:

Within visual perception, an optical illusion (also called a visual illusion) is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immerged in water; an example for a physiological paradox is the motion aftereffect (where, despite movement, position remains unchanged). An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Physical illusions are caused by the physical environment, e.g. by the optical properties of water. Physiological illusions arise in the eye or the visual pathway, e.g. from the effects of excessive stimulation of a specific receptor type. Cognitive visual illusions are the result of unconscious inferences and are perhaps those most widely known.

Pathological visual illusions arise from pathological changes in the physiological visual perception mechanisms causing the aforementioned types of illusions; they are discussed e.g. under visual hallucinations.Explanation:

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3 years ago

Both modernism and postmodernism conceive of interpretation as inherent to its object: without it we do not have access to the w

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Both modernism and postmodernism conceive of interpretation as inherent to its object is given below

Explanation:

1Postmodernism. A general and wide-ranging term which is applied to literature, art, philosophy, architecture, fiction, and cultural and literary criticism, among others. Postmodernism is largely a reaction to the assumed certainty of scientific, or objective, efforts to explain reality.

Many postmodernists hold one or more of the following views: (1) there is no objective reality; (2) there is no scientific or historical truth (objective truth); (3) science and technology (and even reason and logic) are not vehicles of human progress but suspect instruments of established power; (4) reason and logic

2.One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery. ... Postmodern art is noted for the way in which it blurs the distinctions between what is perceived as fine or high art and what is generally seen as low or kCommon targets of postmodernism and critical theory include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress.itsch art.

3.The fundamental difference between modernism and postmodernism is that modernist thinking is about the search of an abstract truth of life while postmodernist thinkers believe that there is no universal truth, abstract or otherwise.Common targets of postmodernism and critical theory include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress.

4.In art, the term is usually applied to movements that emerged beginning in the late 1950s in reaction to the perceived failures and/or excesses of the modernist epoch.Its main characteristics include anti-authoritarianism, or refusal to recognize the authority of any single style or definition of what art should be; and the collapsing of the distinction between high culture and mass or popular culture, and between art and everyday life.

5.In literature, the elements of modernism are thematic, formal and stylistic.

Worldwide Destruction. During the First World War, the world witnessed the chaos and destruction of which modern man was capable. ...

Cultural Fragmentation. ...