Answer: With their collaboration and dialogue they are advancing the plot.
Explanation:
Interaction between Montresor and Fortunato is the only thing that is advancing the plot because there is not much happening besides their dialogue. In their dialogue, we can see the hint that is showing us that the letter would be ruined and demised.
Montresor is wanting the revenge and he is trying to set a diabolical scheme because of it which is showing us contradictory in him because he is saying something that doesn't approve his acts. Since the story is told from his perspective, we are more likely on his side and we are empathizing with him.
Montresor is telling to Fortunato that he has something that is mistaken for Amontillado and that is a light Spanish sherry. After that, Fortunato is saying that he has forgotten his family's motto which is "No one attacks me with impunity" and after that, he is quitting the interaction and answering to him when he is saying “For the love of God, Montresor!”.
Answer=D
Either and or are the conjunctions in the sentence...
Answer:
option 3. Old Past, let go, and drop i' the sea
Explanation:
Answer:
B. One morning in July a hurricane came out of the east...
Explanation:
Imagery is a tool many writers use to help their readers visualize what is going on in the story. Using figurative and descriptive language, they describe things in a way that appeals to our five senses: sight, hearing, smell, taste, and touch. This makes the story more vivid, making it feel more real.
The phrase that is not an example of sensory imagery is phrase B. It simply tells us about an occurrence. It doesn't contain any details that could appeal to our senses, unlike other phrases. The first phrase helps us imagine withered crops dying because of the heat; the second describes how the narrator's father cursed, and the third makes us picture two young boys teasing each other and giggling on their way back home.
This is why option B is the correct one.
Answer:
We need more info on him we don't know who Brinker is.