Answer:
he turned a small sect of Judaism into a worldwide faith that was open to all
Explanation:
The correct answer is A. Slavery must not be allowed to spread to western territories. The Free-Soil Party was a political party in the United States from 1848 to 1852. The main opposition was the expansion of slavery on western territories. The Free-Soil Party believed that free men on free land were a superior system comparing it to slavery, because of the economical opportunities and possibilities. This political party was founded in New York after they denied the endorsement of the Wilmot Proviso law during the Democratic convention in that state; this act would have banned slavery on the newly acquired territory during the Mexican-American war.
The main problem that caused separation within the Democratic Party was the fact that during the New York Democratic convention of 1848, the Wilmot Proviso act was not endorsed. This act would ban slavery in territory acquired by the United States from México after the war. For the dislike of many members of a group called Barnburners –which was the name of two opposing ideas in the New York Democratic Party. The main idea separating both groups was slavery and those who opposed it. The Barnburners were the anti-slavery and the Hunkers were those who approved of slavery.
Though this political party had a short life, its impact in the political scenario was bigger. For one, they presented the American people with two Senators and fourteen Representatives on the 31st Congress from 1849-1851. They also ran with the banner ¨Free soil, free speech, free labor and free men.¨ These were the inspirations of the Free-Soil Party, and its main goal was to prevent the spread of slavery onto western territories.
They maintained their own identities instead of "melting together" like described in the melting pot.
The correct answer to your question is A change
Break dancing, also called breaking and B-boying, energetic form of dance, fashioned and popularized by African Americans and U.S. Latinos, that includes stylized footwork and athletic moves such as back spins or head spins. Break dancing originated in New York City during the late 1960s and early ’70s, incorporating moves from a variety of sources, including martial arts and gymnastics.
Break dancing is largely improvisational, without “standard” moves or steps. The emphasis is on energy, movement, creativity, humour, and an element of danger. It is meant to convey the rough world of the city streets from which it is said to have sprung. It is also associated with a particular style of dress that includes baggy pants or sweat suits, baseball caps worn sideways or backward, and sneakers (required because of the dangerous nature of many of the moves).
The term break refers to the particular rhythms and sounds produced by deejays by mixing sounds from records to produce a continuous dancing beat. The technique was pioneered by DJ Kool Herc (Clive Campbell), a Jamaican deejay in New York who mixed the percussion breaks from two identical records. By playing the breaks repeatedly and switching from one record to the other, Kool Herc created what he called “cutting breaks.” During his live performances at New York dance clubs, Kool Herc would shout, “B-boys go down!”—the signal for dancers to perform the gymnastic moves that are the hallmark of break dancing.
In the 1980s breaking reached a greater audience when it was adopted by mainstream artists such as Michael Jackson. Jackson’s moonwalk—a step that involved sliding backward and lifting the soles of the feet so that he appeared to be gliding or floating—became a sensation among teens. Record producers, seeing the growing popularity of the genre, signed artists who could imitate the street style of the breakers while presenting a more-wholesome image that would appeal to mainstream audiences. Breaking had gone from a street phenomenon to one that was embraced by the wider culture. It is around this time that the term break dancing was invented by the media, which often conflated the repertoire of New York breakers with such concurrent West Coast moves as “popping” and “locking.” Those routines were popularized in the early 1970s by artists on television, including Charlie Robot, who appeared on the popular TV series Soul Train.
