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jarptica [38.1K]
3 years ago
7

Conduct research to understand how your parents obtained news when they were your age. Compare it with the way you obtain news.

Identify the similarities and differences you find between the two forms.

Arts
1 answer:
Stells [14]3 years ago
7 0

Answer:

most of the time it was from news papers or billboards in school and since things were alot safer then kiss could go out with there friends all the time so they also saw news posted on walls of store or the ppst boars at the park

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How would you count this measure?<br> A. 1-2,3-4,<br> B. 1,2-3,4<br> C. 1,2,3,4,<br> D. 1-3,4
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2 years ago
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Describe the development of Mexican mariachi music. What are the origins of this style and how has it changed over the years? Ex
Ratling [72]

Answer:

ORIGIN OF MARIACHI

Proficient artists went with Hernán Cortés when he showed up in what is currently Mexico in 1519. Among their instruments were the harp and the vihuela, models of those later utilized by the mariachi. Locals, who had their own profoundly evolved melodic conventions, immediately aced European melodic practices. With the importation of huge quantities of dark slaves, African music was likewise brought to Mexico during the early frontier time frame. Numerous provincial conventions of mestizo people music, including that of the mariachi, came about because of the resulting social and melodic mixing of indigenous and outside components.

DEVELOPMENT OF MARIACHI

While its underlying foundations are provincial, the contemporary mariachi is a urban wonder related with post-progressive Mexico City. It was in that country's capital and head city that the urban mariachi was conceived and where a large portion of its advancement occurred. Remnants of prior kinds of mariachis may even now be found in rustic Mexico, yet the urban mariachi has been the prevailing model since the 1930s.

MARIACHI INSTRUMENTATION OR STYLES

When the new century rolled over, a common mariachi comprised of four performers. While exact instrumentation could change with each gathering, local inclinations existed. The two most unmistakable mariachi areas were that of focal Jalisco, which favored two violins, vihuela (a little, guitar-like instrument with a curved back and five strings), and guitarrón (an enormous, six-string bass variant of the vihuela); and that of southern Jalisco and Michoacán, which favored two violins, harp, and guitarra de golpe (the first mariachi guitar).

IMPACT OF MARIACHI ON THE MEXICAN PEOPLE

Mariachi music arrived at its top in prevalence during the 1950s and 1960s. From that point forward, it has gotten progressively minimized by the interchanges media that at first launch it to popularity. Except for secluded endeavors to mix new essentialness into the custom from outside sources, generally minimal new mariachi music is made or performed today. By the by, the mariachi stays sought after for social capacities in Mexican and Mexican-American people group, where it has become a profoundly established social convention. Its ongoing recovery in the US has helped give new life to the mariachi, whose intrigue rises above ethnic gatherings and national outskirts.

Explanation:

A particular sort of Mexican melodic gathering or group thing. An individual artist individual from a mariachi gathering (equivalent word: mariachero) descriptor. A class or style identified with the mariachi, e.g., mariachi music, mariachi trumpet. Since the 1930s, the mariachi has been generally viewed as the quintessential Mexican people inferred melodic gathering, and has become an organization representative of Mexican music and culture. Mariachi bunches are right now found in numerous nations around the globe.

8 0
2 years ago
What is Battleship Potemkin?
podryga [215]

The Russian navy in the year of the abortive revolution of 1905 still preserved the harsh conditions and brutal punishments of an earlier age. The Potemkin was a new battleship of the Black Sea fleet, commissioned in 1903, with a crew of 800. It was not a happy ship and some of the crew harboured revolutionary sympathies, in particular a forceful young non-commissioned officer named Matyushenko, who took a leading part in what followed. At sea on June 14th (June 27th, Old Style), the cooks complained that the meat for the men’s borscht was riddled with maggots. The ship’s doctor took a look and decided that the maggots were only flies’ eggs and the meat was perfectly fit to eat. Later a deputation went and complained to the captain and his executive officer, Commander Giliarovsky, about worms in their soup. Their spokesman was a seaman named Valenchuk, who expressed himself in such plain language that  Giliarovsky flew into a violent rage, pulled out a gun and shot him dead on the spot. The others seized Giliarovsky and threw him overboard. As he floundered in the water he was shot and killed.

Others of the crew joined in. The captain, the doctor and several other officers were killed and the rest of the officers were shut away in one of the cabins. The Potemkin hoisted the red flag and a ‘people’s committee’ was chosen to take charge. The chairman was Matyushenko.

The ship made for the port of Odessa, where disturbances and strikes had already been going on for two weeks, with clashes between demonstrators, Cossacks and police. The trains and trams had stopped running and most of the shops had closed. People began to gather at the waterfront after the Potemkin arrived in the harbour at 6 am on the 15th. Valenchuk’s body was brought ashore by an honour guard and placed on a bier close to a flight of steps which twenty years afterwards would play an immortal and immensely magnified role in the famous ‘Odessa steps’ sequence of Sergei Eisenstein’s film. A paper pinned on the corpse’s chest said, ‘This is the body of Valenchuk, killed by the commander for having told the truth. Retribution has been meted out to the commander.’  

Citizens brought food for the seamen and flowers for the bier. As the day wore on and word spread, the crowd steadily swelled, listening to inflammatory speeches, joining in revolutionary songs and some of them sinking considerable quantities of vodka. People began looting the warehouses and setting fires until much of the harbour area was in flames.

Meanwhile, martial law had been declared and the governor had been instructed by telegram from Tsar Nicholas II to take firm action. Troops were sent to the harbour in the evening, took up commanding positions and at about midnight opened fire on the packed crowd, which had no escape route. Some people were shot and some jumped or fell into the water and drowned. The sailors on the <span>Potemkin </span>did nothing. The casualties were put at 2,000 dead and 3,000 seriously wounded.

Calm was quickly restored and Valenchuk was allowed a decent burial by the authorities, but the sailors’ demand for an amnesty was turned down and on June 18th the <span>Potemkin </span>set out to sea. The crew were hoping to provoke mutinies in other ships of the Black Sea fleet, but there were only a few minor disturbances, easily put down. The mutineers sailed west to the Romanian port of Constanza for badly needed fresh water and coal, but the Romanians demanded that they surrender the ship. They refused and sailed back eastwards to Feodosia in the Crimea, where a party landed to seize supplies, but was driven off. The <span>Potemkin </span>sailed disconsolately back to Constanza again, and on June 25th surrendered to the Romanian authorities, who handed the ship over to Russian naval officers.

The incident had petered out, though it caused the regime serious alarm about the extent of revolutionary feeling in the armed forces. Its most lasting legacy was Eisenstein’s film, The Battleship Potemkin, (1925) and a riveting essay in propaganda rather than history.

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<span>- See more at: http://www.historytoday.com/richard-cavendish/mutiny-potemkin#sthash.4pshxeIk.dpuf</span>

I am not taking credit for this passage pleas don't report.

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Explanation:

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