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Keith_Richards [23]
3 years ago
11

The theme of war of the words is...(insert theme)

English
1 answer:
Alenkinab [10]3 years ago
3 0
Which war??????? explain
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Change to the passive and active of this sentence:<br>the maid was preparing the dinner.<br>​
maksim [4K]
The dinner was being prepared by the maid
6 0
3 years ago
What is the summary of chapter 22 of two roads?
liubo4ka [24]

Answer:

In Chapter 22, Cal has a brief encounter with an instructor who, “despite the fact that he is an Indian himself” writes Cal "a demerit for typical Indian laziness" (235-236).

Explanation:

im gonna explain:

In Chapter 22, Cal has a brief encounter with an instructor who, “despite the fact that he is an Indian himself” writes Cal "a demerit for typical Indian laziness" (235-236). Later in the chapter, Mr. O’Boyle demonstrates blatant racism when he asks Cal, “‘You like-um them shoes, Chief? You want buy-um?’” (241). These passages illustrates some of the prejudices held towards Indians, and some students may find it offensive. Encourage concerned students to process these experiences from Cal's perspective, using evidence from the text. Consider questions like: How do you think Cal feels about Mr. Handler and Mr. O’Boyle? Why do you think Cal points out that Mr. Handler is himself a North Carolina Cherokee? How might Handler's being Cherokee impact Cal's understanding of this situation? What does Cal’s reaction to Mr. O’Boyle’s mockery reveal about his experiences with these types of encounters?

7 0
3 years ago
1. What do the witches predict will happen to Macbeth and Banquo’s family at the beginning of the play?
seraphim [82]

1. They predict Macbeth will be Thane of Cawdor and eventually the king. They predict that Banquo will be "lesser than Macbeth, and greater, Not so happy, and yet happier" and that his descendants will be kings although he will not be one.

2. True

3. Lady Macbeth persuades Macbeth to kill King Duncan.

4. Macbeth hires murderers to kill Banquo and his son Fleance to prevent this from happening.

5. The ghost of Banquo

6. He sits in his usual place at the table.

7. His wife and son have been killed.

8. Macduff has gone to England to ask King Edward for help to restore Scotland to how it was before Macbeth became king.

9. Macbeth thinks he is invincible because trees can't march. However he misunderstands this apparition as it is a symbol of Malcom's attack. He thinks this means no one can harm him.

11. True

13. To "be born" meant to be delivered in a normal vaginal delivery. ... So if Macduff was cut from his dead mother's body, he was not born of a woman at all, but was "untimely ripped."

14. Malcolm III

15. Malcolm takes over as king

4 0
2 years ago
Can somebody help me what to write next/ continue? Like I don't know what to write and worse I'm not even native English speaker
vampirchik [111]

Explanation:

Pixar’s filmmakers aren’t resistant to the thought that each one children’s films need morals. They’re just creative about what they teach their audience. Too many kid-accessible animated films spout generic, well-worn tropes: follow your dreams, believe yourself, you'll do anything if you are trying . But Pixar’s Inside Out stands up for sadness as a helpful emotion. Up teaches grade-schoolers that they’ll never be too old for adventures, even once their partners and their youthful dreams die. And in 2003, Finding Nemo became a $900 million box-office smash by scolding overprotective parents, encouraging kids to not let their folks’ nervous fussing hold them back, and gently suggesting that disabilities aren’t an equivalent as limitations.

The sequel, Finding Dory, doubles down thereon last idea with a whole story focused on dealing with disability and despair, couched within the usual Pixar antic adventure. Finding Nemo’s title character has one undersized fin and isn’t a robust swimmer, but adversity and a similarly fin-impaired model build his confidence. Similarly, Finding Dory features a character with a debilitating handicap who develops coping mechanisms, gets help where she will , forges ahead when help isn’t available, and succeeds on her own terms. In a way, this is often another “Believe in yourself and you'll do anything” story. But by refining and focusing that message, writer-director Andrew Stanton and co-director Angus MacLane make it far more relevant. Many kids won’t notice the message: Finding Dory doesn’t explain it in patronizing detail. But it’s likely to strike home for the viewers who most need it, and identify most closely with the story.

Finding Nemo follows Marlin (Albert Brooks), a traumatized and nervous clownfish, on a transoceanic voyage to save lots of his one surviving child, Nemo (Alexander Gould). On the journey, Marlin gets enthusiastic help from Dory (Ellen DeGeneres), a Pacific regal blue tang with severe memory issues. Like Guy Pierce's Leonard in Memento, Dory only has short bursts of functionality before she forgets what she's doing, and whatever she just learned. Finding Nemo plays her condition for laughs, as she keeps forgetting who Marlin is, and what his son is named . (Fabio? Bingo? Harpo?) But she's desperate and vulnerable, too. Finding Dory digs deeper into her vulnerabilities, as a random set of associations triggers her memories of her parents (voiced by Diane Keaton and Eugene Levy). She doesn't remember where they're , or how she lost them, but a bit like Marlin within the first film, she's frantic to reunite together with her missing kin. She quickly finishes up on her own and is usually lost and confused about her purpose. Her determination keeps her moving forward, even as she advised Marlin to stay swimming find Nemo, and bit by bit, the pieces of her past start coming together.

Finding Dory is Andrew Stanton's return to writing and directing after the overly ambitious box-office disappointment John Carter. With this film, he's back on the comparatively safe ground of Pixar principles: an active celebrity cast, a fast-moving adventure filled with chases and jokey repartee, and a basic humanism that persists even when none of the many characters are human. Given the looseness of the plot — a one-thing-leads-to-another quest that periodically backtracks or goes in a circle — the load of the story is more on the characters than the plot developments. Stanton himself returns during a cameo because the whoa-dude surfer turtle Crush, Idris Elba and Dominic West voice a pair of helpful comedy-relief seals, and Kaitlin Olson (It's Always Sunny In Philadelphia) and Ty Burrell (Modern Family) play a nearsighted Rhincodon typus and an insecure beluga whale, respectively. But the film's breakout star is Hank (Ed O'Neill), a cranky seven-limbed octopus (technically, Dory says, he's a septopus) who helps Dory for selfish reasons. Like all Pixar's best grouchy old curmudgeons, he's filled with one-liners and hidden empathy. He's also, naturally, an escape artist and master of camouflage, because real-life octopi are awesome.

pls note if i were you i would cross the thing you wrote or if you want to keep it change is to this so it would be why this movie as that makes more sense. (i hope that makes sense)

8 0
3 years ago
It's just so great to know that whether you succeed or fail, it's all because of the work you do. Based on the sentence above, w
Marysya12 [62]

Answer:

The author's purpose is to show that you are responsible for success or failure in your own life.

Explanation:

The author shows that the work we do and the way we develop it is responsible for our success or failure in the activities we participate in. The author affirms that this is a good thing, because you will not depend on the actions of other people to influence your life, you will have to strive for your own success and if you fail you will only have yourself to blame, but this "guilt", allows you to fix your mistake and move on.

4 0
3 years ago
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