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gladu [14]
3 years ago
5

Reread the first six lines of the sonnet. If the first line is identified as “a” in the rhyme scheme, how should the remaining l

ines be identified? Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd,
English
1 answer:
stiks02 [169]3 years ago
4 0

Answer:

babcd

Explanation:

The last words of the first and third lines rhyme, and so do the last words of the second and fourth lines, making the rhyme scheme abab. The fifth and sixth lines do not rhyme, so the rhyme scheme for them is cd.

Thus, if the first line is identified as “a” in the rhyme scheme, the remaining lines should be identified as "babcd".  

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Answer:

1. give one example of the way smith praises his own good qualities

He speaks about how he takes on all of the heavy duties and relieves others of their burdens.

2. What impression of smiths do you get this from this account?

He is conceited and thinks highly of himself.

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2 years ago
according to nissani, what can be some possible ways to save the forests of third world countries ​
irinina [24]

Answer:

Moti Nissani proposes some solutions as:

* Control population

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Explanation:

In the essay written by Moti Nissani, some worldwide problems are connected and reflected in examples that involve the exponential increment towards population and its effect on the planet. It is stated that the more people the world has, the more pollution and lack of resources we will have as time keeps going forward. Therefore reducing the population and its consumption of natural resources humanity could save forests.

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Why might eloquence make a person like Frederick Douglass famous?
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Answer:

American history abounds with great orators whose eloquence roused the people and shaped events. Names like Patrick Henry, Daniel Webster, William Lloyd Garrison, Abraham Lincoln, William Jennings Bryan, Susan B. Anthony, and Martin Luther King come to mind.

The best of them spoke with passion because their words gushed forth from wellsprings of character or experience or righteous indignation—and in the case of the great 19th-century American abolitionist Frederick Douglass, all three. He could pierce the conscience of the most stubborn foe by what he said and how he said it.

In a 1997 article for FEE, “Frederick Douglass: Heroic Orator for Liberty”, historian Jim Powell cites this description of Douglass by a first-hand observer:

He was more than six feet in height, and his majestic form, as he rose to speak, straight as an arrow, muscular, yet lithe and graceful, his flashing eye, and more than all, his voice, that rivaled Webster’s in its richness, and in the depth and sonorousness of its cadences, made up such an ideal of an orator as the listeners never forgot.

It’s worth our time to reflect on the life and words of this great man born 200 years ago this year. His story is all the more remarkable considering the circumstances of his birth and early life.

Douglass was born a slave in Maryland in 1818. He never knew who his father was and his mother died when he was seven. He spoke in later life about how hard it was on him to be forbidden to see her when she was ill, to be with her when she died, or to attend her funeral.

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2 years ago
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velikii [3]

Answer:

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3 years ago
Though knowing perfectly the hold he had on this heart, and conscious he had only to speak and all the house would be obliged to
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Your answer is C.: compelled
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