In the old days, when musicians got together to play, they used whatever instruments were around. If there were three lute players, a harp, and two flutes, then that's what they used. By the 1500s, the time known as the Renaissance, the word "consort" was used to mean a group of instrumentalists, and sometimes singers too, making music together or "in concert".
The correct answer is A. Tutankhamun.
Hope this helps you and more people to come!
I did a essay over these "Death Mask", thats what they call them anyway, and i seen your same picture and it belonged to Tutankhamun.
Artistic value in a person when they're painting or performing art is an expressive technique for us to understand their contextual upbringings. Like music or other forms of art, composers and artists value their context as being the fundamental and concrete moral when they're doing art. Certain attributes connote to specific timespans and as we grow older to appreciate composers' artistic flair, the more we begin to understand about their past.
An exemplified example is a cinematic example, Metropolis (1927), this film is regarded as the forefront of modernist views, a pioneer that was underrated during its time. The dark ambiance, yet subtle hints at the destruction of the new sparked a new generation of Modernist and Post-Modernist views. Fritz Lang's use of silence in this film was a crucial cinematic technique during the 1920's, and with this being one of the last standing silent films, we know straight away that it is from that generation or that context.
Context also allows us to understand certain morale during the creation of art and we begin to contemplate with a change in perspectives, particularly when watching a film. Understanding context allows us, as responders, to truly be captivated by Da Vinci's The Last Supper or Van Gogh's Starry, Starry Night as we begin to dive into the minds of these people and their upbringings.
Answer:
The correct answer to the question is (a): non-representational imagery and clear signs of the artist's working process, with metaphysical undertones in content.
Explanation:
Abstract expressionists were practitioners of the Abstract Expressionism art movement which started after World War II, and continued to grow in New York. The abstract Expressionists shared the following common artistic characteristics:
1. they did not draw "objective reality" (real life objects), which is also known as "non-representational imagery" or "non-representational art or drawing". Non-representational drawings are artworks that do not represent the objects or aspects of the real world. Examples of real world objects or aspects include human activities, literature, structures, institutions, buildings, etc. It is non-representational drawings that make the word "abstract" to be a perfect fit for the words "expressionists", or "expressionism". Other terms that can be used in place of "non-representational" imagery, art, or drawing, include: "non-figurative art", "expressionism abstract art", or "non-objective art".
2. Since the abstract expressionists' drawings did not reflect the objects or aspects of the real world, they clearly signified that the artists' works originated from within them and thus had an "unknown" or "metaphysical undertone" that describes the innate, immaterial, or non-physical experiences or thoughts behind each individual abstract expressionist's drawings or artworks.
Generally, the abstract expressionists' works were essentially based on the 2 artistic characteristics stated above.
