The main idea of the short story “Bernice Bobs Her Hair” is that “social change affects personal identity”.
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The story is about how Bernice tries to set into her cousin’s world of friends and lifestyle, whom she is visiting for a August vacation. In the process, her interaction with men such as Otis and Warren show how in the mode to be popular and well known, they drop people and their emotions like hot cake.
Bernice, even though she tries to mingle with them in order to be and feel accepted, she does not feel herself at any time. Hence finally she realises that she’d rather return to in her own town where she is accepted as she is and does not have to create a façade to be someone that she is not.
This whole process show’s that social change in terms of small town as compared to big town differ, and this is where a person’s personal identity gets affected
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Explanation:
Wild One" or "Real Wild Child" is an Australian rock and roll song written by Johnny Greenan, Johnny O'Keefe, and Dave Owens. While most sources state that O'Keefe was directly involved in composing the song, this has been questioned by others.[3] Sydney disc jockey Tony Withers was credited with helping to get radio airplay for the song but writer credits on subsequent versions often omit Withers, who later worked in the United Kingdom on pirate stations Radio Atlanta and, as Tony Windsor, on Radio London.
According to O'Keefe's guitarist, Lou Casch, the song was inspired by an incident at a gig in Newtown, Sydney,[4] in about 1957. According to Casch, as O'Keefe and the Dee Jays played at an upstairs venue, an "Italian wedding" reception was taking place downstairs. Some of the dance patrons came to blows with wedding guests in the men's toilets, and within minutes the brawl had become a full-scale riot that spilled out into the street, with police eventually calling in the Navy Shore Patrol to help restore order. In an article by Clinton Walker that tries to answer the question, What was Australia’s first rock’n’roll record? the writer quotes Dee Jays’ saxophonist – and the song’s co-writer – John Greenan corroborating Casch’s account and elaborating upon it.[5]
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The boy has already told her that he will run if she lets him go, so she does not trust him. When he says, "I'm sorry," the woman says "Um-hum!" which indicates that she does not believe him.
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Civil Disobedience PART B: Which quote best supports the answer in Part A is written and described below in details.
Explanation:
Men usually, following such a government as this, believe that they ought to anticipate until they have influenced the majority to reconstruct them.” ( paragraph 4)
but if it is of such a character that it demands you to be the instrument of inequality to another, then, I say, violate the law.” ( paragraph 6)