Answer: The first one!
Explanation: it fits
Answer:
Dancers should use their eyes to connect with other dancers and the audience. "If they want us to focus on their pointe work, or if it's a romantic feeling in an adagio, then a downcast gaze is OK," says Ferrell. "Otherwise, we want to see their eyes." Standing at barre, dancers should look beyond the person standing in front of them.
Explanation:
hope it helps? :))
Answer:
"That hero has done it now. They always get in the way of my plans. I'm sick and tired of it! I need to get rid of them once and for all. How can I rid the world of this false hero though? Shall I spike their drink? Or shall I put a pillow over his face while he sleeps peacefully. No, these simple ideas wont do. I'll disguise myself as a fan and give him a gift. The gift shall contain an exploding device, and BOOM, he will be gone soon enough I suppose."
Explanation:
A because you have to go up in thirds