Answer:
Comes from a source within a film's world and could be heard by characters is the correct answer.
Explanation:
Diegetic sound is defined as a noise that comes from the screen; some examples are dialogs from other people, footsteps, motors, and so on. Since it comes from the screen itself, characters can listen to it but they don't have to react to it. Diegetic sound is different from Non-diegetic, since this last one refers to the sounds that don't come from the screen, such as music or special effects.
Answer:
The answer is (D.) Architecture
Explanation:
- <u>the art or practice of designing and constructing buildings:</u>
Answer:
Correct answer is Charles Willson Peale
.
Explanation:
Although most of this artists had certain special interests in different areas only Peale was infatuated by the fossils and animal specimens. Therefore, he is also a founder of a famous Pennsylvania Museum, where the first skeleton of mastodon was displayed. That is why this museum is also known as Peale Museum.
<u>Jazz bands</u>, usually known as the <u>Big Bands</u>, are pre-written music and larger ensembles that were heard during the swing era and during this period, people saw a shift from improvisation to notated.
Midway through the 1930s, a new swing fashion trend began to sweep the nation. People created new dances to go along with swing's driving rhythm, which helped swing gain more popularity.
It is thought that the Swing Era began in 1935, during the Big Band or Jazz Band era, which lasted until 1945. It became necessary to standardize the arrangements as the jazz orchestras expanded in size to prevent widespread chaos.
Swing, the loose-limbed jazz style that was evolving, was characterized by Big Bands that were expertly orchestrated.
Discover the style of jazz that used small jazz bands rather than big bands. It allowed more freedom of personal expression and contained complex rhythmic variety, wide melodic leaps, and regular appearances of dissonance: brainly.com/question/27387655
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Answer:
a practice in painting of depicting the natural appearances of objects by means of dabs or strokes of primary unmixed colors in order to simulate actual reflected light
Explanation:
proof-" 1 often capitalized : a theory or practice in painting especially among French painters of about 1870 of depicting the natural appearances of objects by means of dabs or strokes of primary unmixed colors in order to simulate actual reflected light. "
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