Answer is internal, due to the fact that the character in the passage quotes “stuck between my hatred of the empire I served “
The answer is falling action.
Answer:
Captain Nemo does NOT see the world in a negative light, or think that the world is of little worth: Only the world of man. Think of the time he has spent constructing his craft, exploring the uninhabited vastness of the ocean, collecting knowledge and rare treasures (the giant pearl for example, left to become larger in the huge oyster
hope this helps
Explanation:
dunno more thn tht
Answer:
I think <u>A</u><u>.</u><u> </u>
Explanation:
I'm not sure sorry
Answer:If the story were told from John's perspective, it would be a much more detached view of the narrator's descent into madness. Although the readers do not know what John thinks, it is clear that he believes that the medical treatment is correct. Not only would his perspective add another dimension to the woman's madness, but it would make him a more sympathetic character and perhaps even make their love story more tragic.
Who does Gilman ultimately blame for the narrator's descent into madness? Why?
In some ways, Gilman can seem to blame both John and S. Weir Mitchell for the narrator's ultimate insanity. Although they both mean well, their decision to promote the "rest cure" treatment is certainly the catalyst for the narrator's mental break. However, at the same time, Gilman could blame the society of the time, a society that expected women to be perfect wives and mothers and nothing else.
What is the significance of the first-person perspective of the narrative?
The first-person perspective of the narrative is very important because it allows the reader to understand and experience the narrator's descent into madness on a personal level. Instead of discovering the narrator's insanity from the detached perspective of a third-person narrator, the reader is present in the narrator's head at every stage of her insanity. As a result, the story is much more powerful and ultimately more disconcerting.
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