The Italian Renaissance was one of the most productive periods in the history of art, with large numbers of outstanding masters to be found in many centers and in all the major fields painting, sculpture, and architecture. In Florence, in the first half of the fifteenth century, there were great innovators in all these fields, whose work marked a beginning of a new era in the history of art. These innovators included Masaccio in painting, Brunelleschi in architecture, and Donatello in sculpture. Their new ideals and methods were systematized in the theoretical writings of their friend and fellow artist Leon Battista Alberti. There can also be observed in this period a change in the social status of the artist. Heretofore, he had been an artisan, a craftsman. Now the attempt was made to include artists among the practitioners of the "liberal arts," which were regarded as being on a higher level than the "mechanical arts." These efforts bore fruit, and some of the great masters, for example, Titian and Michelangelo, by the force of their genius and personality, were able to achieve a measure of status and respect rarely enjoyed by their predecessors. The idea of artistic genius became popular; Michelangelo was called "divine" because of the greatness of his creative powers.
In the Renaissance, art and science were closely connected. Both the artist and the scientist strove for the mastery of the physical world, and the art of painting profited by two fields of study that may be called scientific: anatomy, which made possible a more accurate representation of the human body, and mathematical perspective. Perspective in painting is the rendering on a two- dimensional surface of the illusion of three dimensions. Previous painters had achieved this effect by empirical means, but the discovery of a mathematical method of attaining a three-dimensional impression is attributed to Brunelleschi in about 1420. Henceforth, the method could be systematically studied and explained, and it became one of the chief instruments of artists, especially painters, in their pursuit of reality. Some men were both artists and scientists, notably Leonardo da Vinci and Piero della Francesca. It is doubtful whether they would have understood our distinction between art and science.
Answer:
1st one answer is Britain and 2nd one is empire
<span>Most of the settlers who followed Stephen
Austin into Texas hoped that Texas would become a self-governing Mexican
state.</span>
Stephen Fuller
Austin<span> <span>(November 3, 1793 – December 27, 1836) was an American </span></span>empresario<span> <span>born in </span></span>Virginia<span> <span>and raised in southeastern </span></span>Missouri<span>. Known as the Father of </span>Texas<span>, and the founder of Texas, he led the second, and ultimately
successful, colonization of the region by bringing </span>300 families<span> <span>from the United States to the region in 1825. In addition, he worked with
the Mexican government to support </span></span>immigration from the United States.
The correct answer between all
the choices given is the third choice or letter C. I am hoping that this answer
has satisfied your query and it will be able to help you in your endeavor, and
if you would like, feel free to ask another question.
<span>The US Congress adopted a compromise between the New Jersey and Virginia plans that allowed for population-proportional representation in the House of Representatives that favored the Virginia Plan, while adopting equal representation between the states in the Senate, a move which favored the New Jersey Plan.</span>
