Think of Einstein’s theory of general relativity. If a wide receiver making a catch collides in midair with the defender, the defenders often fair little better in these situations because they tend to run a little larger than receivers. But it is not a matter of force. Newton’s third law of motion (“to every action there is an equal and opposite reaction / the mutual actions of two bodies upon eachother are always equal and directed to contrary parts”) implies that this issue has to do with momentum, the product of mass and velocity. A force between two objects is an interaction that changes momentum. If the momentum of one increases, the momentum of the other will decrease by a substantial amount. All that is needed to be thought about is is the momentum right before the two come into contact and the momentum right after they stop interacting.
<span>The elements of art are line, shape, form, texture, color, value, and space.
It is called balance. There is radical ,asymmetrical, and symmetrical balance. </span>
Not sure about the 1st one, but it sounds like a cruel irony, or karma, where one does something bad, and later on the same bad thing gets done to you. Breaking the fourth wall is when a character in a comic, book, or tv show/movie talks to the reader, or states that he knows that there is an audience and he is just a character (comes from the old tv sets where there were only 3 walls, and the fourth wall was where the audience would watch in, and cameras would shoot: so when they "broke the fourth wall", they looked out at the audience and talked to them). Externalised conscience is essentially, as far as i know, when a character decides between what he wants to do and what he should do, and there are usually many soliliquies (excuse the spelling) while he makes the decision. Not sure if this is all 100% correct, but that's what my non-drama knowledge allows me, and hope it helps you out a little bit.
