Answer:
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Explanation:
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Answer:
- Signal listening.
Explanation:
As per the question, all the given options exemplify ineffective listening styles except for the 'signal listening' as it employs verbal signals to convey a particular idea or message to the readers effectively that the author repeatedly mentions in the text. These signals assist the readers to listen attentively/actively and understand the intended idea productively that would aid to elicit desired response/outcome from them. This listening style is most effectively employed by the author in the text. Thus, <u>'signal listening'</u> is the answer.
Answer:
The dreariness of the speaker’s life away from Innisfree.
Explanation:
The lines 'While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core' refer to a feeling of closeness to and remembrance of a place dear to the speaker’s heart. There is an implicit sense of removal, of physical distance, contrasted to an emotional proximity.
So we know it reflects his life away from the idyllic Innisfree. Futhermore, the general tone of the phrase, the depiction of the pavements' colour (rather a dull one), appear to suggest a certain general dreariness.
<u>Answer:</u>
Puritans were protestors in 16th and 17th century who scared people with their sermons.
<u>Explanation:</u>
“Sermon” is a religious talk given in church. Puritans wanted to purify the ''Church of England'' from the ''Roman catholic practices''. They observed that there is a decrease in the number of religious devotees of ''second-generation'' settlers. To increase this, they 'preached' a type of sermon called "jeremiad". This sermon basically wanted to scare people by stating that if anyone committed any sin, they would be tortured and burnt in hell.
By all this, people would remain Puritan and believe in God and Church.
Answer:
The title "Borges and I" introduces the concept of dual identity that is core to Borges's essay. Borges contemplates the nature of identity as twofold. The "I" represents the inner identity, and the name "Borges" indicates the external identity. Creativity, for Borges, begins in the complex inner identity. It is influenced by personality and experience, such as the experience of reading literature. Borges points out that he finds himself more in the books that he has experienced than in those he has written. Thus, his inner identity is shaped by the things he reads, while his outer identity is represented by the things he writes. According to Borges, as soon as he takes an idea and makes it into a story or a book, it no longer belongs to his inner self but becomes part of his public "persona."
The dual nature of personality presented by Borges is problematic to the author. He expresses a feeling of loss when parts of him become falsified and magnified as they transfer to his public persona. Yet, Borges also recognizes the necessity of both parts of his identity. The literature that belongs to the Borges persona is also integral to the inner identity. Borges writes that "this literature justifies" his interior identity. It is the external expression of Borges's internal creative force. Though he struggles with that exterior persona, it is also essential to manifest his creativity.
