D. State boards of education are those who determine the content of textbooks.
Obviously, students and students' parents have nothing to do with this decision. Ultimately, teachers don't either - they are there just to teach the material found in the textbooks.
A person's’s identity is so important within the world of Le Morte d’Arthur. Each character is defined not only by his familial relations, but also by his abilities, whether on the battlefield, as a lover, or as a leader. A person is also defined by his loyalties to his country or liege. Knights are usually defined with epithets about their abilities or loyalties, sometimes given through fate, sometimes through their own accomplishments. Many people struggle with identities given to them by fate or circumstance. For instance, when Arthur was young, he thought of himself as the adopted son of a landowner and knight, not as the heir to all of England. After Arthur learns he is the son of Uther Pendragon and Igraine, he has a hard time accepting his identity, even though that identity compels him to take power meant for him by fate. Similarly, his son Mordred also has difficulty accepting his identity - though he is predestined to kill his father, he is bothered by the Archbishop of Canterbury's statements on his sinful conception.
That means it's offered for sale at a very very very very good price.
The price may be so good because the owner doesn't know what it's actually worth,
or because they're having a super-duper temporary sale, or because it's something
you personally need very badly so it's worth a lot more to you personally.
In any case, it's called a 'steal', because when something is stolen, the stealer
gets what he wants for a very very very low price, and this is just like that.
Answer: The origins of Gothic literature can be traced to various historical, cultural, and artistic precedents. Figures found in ancient folklore, such as the Demon Lover, the Cannibal Bridegroom, the Devil, and assorted demons, later populated the pages of eighteenth- and nineteenth-century Gothic novels and dramas. In addition, many seventeenth- and eighteenth-century works are believed to have served as precursors to the development of the Gothic tradition in Romantic literature. These works include plays by William Shakespeare, such as Hamlet (c. 1600–01), and Macbeth (1606), which feature supernatural elements, demons, and apparitions, and Daniel Defoe's An Essay on the History and Reality of Apparitions (1727), which was written to support religion and discourage superstition by providing evidence of the existence of good spirits, angels, and other divine manifestations, and by ridiculing delusions and naive credulity. However, while these elements were present in literature and folklore prior to the mid-eighteenth century, when the Gothic movement began, it was the political, social, and theological landscape of eighteenth-century Europe that served as an impetus for this movement. Edmund Burke's treatise A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) introduced the concept of increasing appreciation for the nature of experiences characterized by the "sublime" and "beautiful" by depicting and then engaging (vicariously) in experiences comprised of elements that are contrary in nature, such as terror, death, and evil. Writers composed Gothic narratives during this period largely in response to anxiety over the change in social and political structure brought about by such events as the French Revolution, the rise in secular-based government, and the rapidly changing nature of the everyday world brought about by scientific advances and industrial development, in addition to an increasing aesthetic demand for realism rather than folklore and fantasy. The Gothic worlds depicted fears about what might happen, what could go wrong, and what could be lost by continuing along the path of political, social, and theological change, as well as reflecting the desire to return to the time of fantasy and belief in supernatural intervention that characterized the Middle Ages. In some cases Gothic narratives were also used to depict horrors that existed in the old social and political order—the evils of an unequal, intolerant society. In Gothic narratives writers were able to both express the anxiety generated by this upheaval and, as Burke suggested, increase society's appreciation and desire for change and progress.
Explanation:
Answer: c
Explanation: i took the test
