Jonathan Swift's 'A Modest Proposal' is a satirical essay meant to underline the problems of both the English and the Irish in 1729. Satire is the use of irony, humor or exaggeration to criticize the ideas of others
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Answer:
What Judy represents to Dexter is the epitome of "glittering things and glittering people" Dexter creats His "winter Dream" around Judy. Dexter finds Judy exciting, exquisite and cannot be cured of his illusions about Judy despite the fact that Judy flirts with other Men and is only with Him because He is rich.
Explanation:
Judy had an unpricipled personality. but still Dexter surrounded a part of His personality to Her. After Dexter has made a fortune, Him and Judy met again but Judy learn't He is rich and then showers Him with kisses but still flirts with other men
After Dexter got engaged to Irene, He meets Judy one night because Irene had a headache and by then Judy had retuned from Florida and seeme Humble. She said to Dexter; i cannot be happy " i 'd like to marry you, if you' ll have me Dexter". This statement made Dexter to be carried away by His dream and commits Himself to His dream. but it was only a short time before the marriage was over.
Answer:
I think it is A, D, E
Explanation:
I know it's D because the subject (jake) does the action (throwing)
Answer:
A. The peasent threatens Valjean with a gun
Explanation:
Prejudice makes us judge different people as wrong and dangerous and because of that, we can even do things harmful to these people, in an attempt to get rid of some evil that we created in our head, but that we believe that person who is different can do.
An example of this is when the peasent watches Valjean approaching. Valjean is totally different, both aesthetically and in his way of acting. The peasent believes that this means that Valjean is dangerous and tries to protect himself by threatening him with a weapon.
Answer:
There are many poetic devices in this poem which add to its effect. In the opening line, we see an example of internal rhyme, where two words within the same line—here "showers" and "flowers"—rhyme with each other. We see this technique repeated in later lines, such as "the flail of the lashing hail." On all occasions, this feature draws attention to the line and helps create a mental picture. Other sound devices in the poem include alliteration ("seas and the streams", "wield . . . whiten") and assonance ("laugh as I pass").
The speaker in this poem is the titular cloud; the personification of the cloud relates to the Romantic idea of pathetic fallacy, where the behavior of nature imitates or reflects the feelings of those who exist in nature. There are other examples of personification in the poem, such as when the "great pines groan aghast" as the wind sifts snow onto the mountains. An extended personification such as the one in this poem is a form of metaphor: the wind does not really have "wings," nor are the "sweet buds" "rocked to rest on their mother's breast." In the context of the poem, however, the whole of nature is imagined as if it had human attributes.
Repetition and anaphora are also used in this poem to emphasize the sheer reach of the cloud—"Over earth and ocean," "over the rills, and the crags," "over the lakes and the plains," the Cloud is moved by his "pilot," another metaphor which refers to God. The "pilot," so named because he has plotted the course for the cloud to follow, helps the cloud to move "wherever he dream," and naturally, because the pilot is God, the extent of those dreams has no end.
Explanation:
