The influence of Sergei Eisenstein's theory and practice of montage resonates throughout the history of cinema. His concept of "collision" (or "intellectual") montage describes the dialectical process of juxtaposing two unrelated images to produce a new affect or thought in the viewer's mind.
I would say the correct answer is <span>C. Musicians lost their jobs. Musicians can't lose their jobs due to film composers using computers and synthesizers because musicians were never employees in the film industry, to begin with. They worked with symphony orchestras which may or may not get a commission to play a film score. If they don't, they can always do their main job - play in concerts, record symphonies or solo work, etc.</span>
I think is c I had this question
I think it's the DOME, hope this helps