Answer:
The word that has the same root word as "intercept" is: interception.
The word part which is used to change the part of speech of the word intercept to the new part of speech is: -ion (suffix)
The part of speech this new form of the word is: noun
Explanation:
We can easily see that the words "intercept" in excerpt A and "interception" in excerpt B are very similar. What is the difference between them? Notice that "interception" has some extra letters: -ion. This is a suffix, that is, a group of letters added to a word with the purpose of changing it. While "intercept" is a verb, "interception" is a noun, precisely because of the addition of the suffix. "Interception" means the action of intercepting, that is, of preventing someone or something that is moving toward a destination.
Answer:
B. As in most traditional plays, the plot of act 1 of Beyond the Horizon is designed to provide exposition and build up the tension of the play.
Explanation:
Option B is correct, as there is exposition of the play’s main themes;
a) The urge to follow one’s dreams
b) The complex father/son relation
c) Husband/wife relation
d) Love triangle of Robert Mayo, Andrew Mayo, and Ruth Atkins.
Act 1 also serves as an exposition to the main internal conflicts of the play among following one’s dreams, desires, and destiny and external conflict between father and son.
Option A is not correct because Act 1 of “Beyond the Horizon” is not just a short prologue, but rising action or exposition of the play.
Option C is not correct, as neither in most traditional plays nor in “Beyond the Horizon” is the main conflict brought to a head.
Option D is not correct because in “Beyond the Horizon” Act 1 is just exposition of the internal and external conflicts of the play - we are nowhere near the resolution of the conflicts.
The Yellow Wallpaper. The Yellow Wallpaper, short story by Charlotte Perkins Gilman, published in New England Magazine in May 1892 and in book form in 1899. The Yellow Wallpaper, initially interpreted as a Gothic horror tale, was considered the best as well as the least-characteristic work of fiction by Gilman.
