Answer:
Historically, the term used to refer to D-Day June 6, 1944, during the Second World War, which began the day in Operation Overlord. What happened on D Day was an operation to carry out a massive landing on the beaches of Normandy in order to reenter combat declining in Western Europe German rule. The end result of D-Day, or Operation Overlord, as a victory for the allies. The invasion took place so that Hitler would have to divert resources form the Eastern Front to fight the Western allies in France.
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<span>The correct answer should be B.. He created one of the world's first empires. He was one of the first rulers in the world and many Mesopotamian rulers later looked up to him and thought that he was the greatest ruler in history. Although there might be claims by some Sumerian scholars that other leaders were the first, Sargon is still officially recognized as the first.</span>
(A)Loyalist were loyal to the crown and believed that America should not have independence so the answer is A
B is the correct answer hope this helped you
Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.