Answer:
The correct answer is a) the buzuq and the nay.
Explanation:
The Kurdish buzuq, which is also called buzuk, bizik, biziq, is a troubled lute with a long neck. It is believed to be of Ottoman origin, but when you listen to it, you may think that it is also related to the Greek bouzouki and the Turkish saz, since you hear Mediterranean and Anatolian timbres. Its sound box is similar to the sound box of an oud. There are 24 mobile frets on your neck, it can produce microtonal intervals. This instrument has been originally used by Kurds and Turkmens, and is now also used by the Arabs to accompany songs and in Arabic taqsim performances. The buzuqs we sell in our store are handmade, built by teachers. Its bowl is walnut, the faces are made of spruce, the necks are made of maple and have ebony fingerboards.
The ney is a wind instrument and probably the oldest, used in traditional music (Turkey, Iran, Egypt ...). From Morocco to Pakistan we can find different variants of this instrument, with different names and forms, it can be said that the nei is an aerophone from the Middle East. The ney has been played regularly for 4,500-5,000 years, making it one of the oldest musical instruments still in use. It is a precursor of the modern flute.
<span>Elisabeth Vigée Le Brun was a prominent woman who was a personal painter for Marie Antoinette and did many portraits of her during her service which helped shape the publics view of the Queen.
Jacques-Louis David was a painter around the time of the French revolution who painted both prominent events and figures. He would eventually become appointed as Napoleon's painter and helped shape the publics view of him since.
Reference:
https://www.biography.com/people/elisabeth-vig%C3%A9e-le-brun-37280
https://www.britannica.com/biography/Jacques-Louis-David-French-painter</span>
You must first account for shadows
Answer:
OK IM NOT GONNA ANSWER THIS I PROMISE
Explanation:
see not answering it
The correct answer to this open question is the following.
The emergence of female artists in eighteen-century Europe was a consequence of the Enlightenment times in this region when science, political thinking, and arts opened new ways to openly express human ideas never before heard.
The prevailing social and cultural trends that affected these artists and their work favored the support for painters like the above-mentioned, who had the best opportunities to share their work than in previous Middle Ages times. Although at that time the role of women was not so prominent and was always behind the shadow of men, some artists could have the social connections to exhibit their paintings.
I would like to refer to the case of Angela Kauffman, a Swiss painter (1741-1807). She was considered a Neoclassic painter that could successfully exhibit her works in places such as Italy and Great Britain. She specialized in landscape and decorative figures.
