Immediately after he commits the murder, the narrator feels very calm and confident, he describes the whole situation in which he disarmed the body:
<em>First I cut off the head, then the arms and the legs. I was careful not to let a single drop of blood fall on the floor. I pulled up three of the boards that formed the floor, and put the pieces of the body there. Then I put the boards down again, carefully, so carefully that no human eye could see that they had been moved.</em>
Then, while he is talking to the officers, he starts feeling guilty, so guilty that he imagines the sound of the heart beating. He thinks that the officers can also hear the sound and that they are setting a trap. He ends up confessing the murder:
<em>No! They heard! I was certain of it. They knew! Now it was they who were playing a game with me. I was suffering more than I could bear, from their smiles, and from that sound. Louder, louder, louder! Suddenly I could bear it no longer. I pointed at the boards and cried, “Yes! Yes, I killed him. Pull up the boards and you shall see! I killed him. But why does his heart not stop beating?! Why does it not stop!?</em>
The correct answer would be steep.
I like the winter, fall, or autumn. no particular reason why i like them. i do enjoy the rain tho so theres that.
<h2>Walt Whiteman's Rhetoric </h2>
Whitman spoke of the war from a soldier's point of view. Whitman attempted to change the reader's name from one based on inactive and divisive ideas. Those of the ideas are race, class, region, and gender to a flexible character based on the works of the human body.
I explain how this oratorical poetics is the result of a number of factors which includes the kind of characters poetry acted in early nineteenth-century American society, the economics of the publishing trade, the fragmentation of the two-party arrangement, and nineteenth-century rhetorical art, and that a thoughtful examination. The junction of Whitman and these parts shows the construction of this rhetorical poetic.
