France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
Answer:
The 'Middle Ages' are called this because it is the time between the fall of Imperial Rome and the beginning of the Early modern Europe. ... The Dark Ages are given this name because Europe was in disarray in comparison to the orderliness of classical antiquity and life was short and poor.
Answer:
do u mean pentagon from 9/11
Explanation:
there was no hexagon
Answer:
The day moon is a product of the sunlight reflected on the satellite. Sometimes, we can see the moon during the daytime, because depending on the moon´s position, sunlight is reflected on the satellite, allowing us to see from the Earth during the day.
Explanation:
The moon is a dull satellite that has no light by itself. The only way we can see it is through the reflection of the sunlight on this body. This effect also depends on the moon´s position concerning the Earth and to the sun. It is a natural product of the rotation and translation movement of the Earth and the moon.
This effect is related to the moon phases: new, first quarter, full and third quarter. During the daytime, we can see the waxing and waning gibbous phases because the moon is placed in a way that sunlight reaches it and reflects its shape. When this effect occurs, we can see that the star and the satellite get more separated each day. The moon gets to hide in the skyline later than the sun. This is why sometimes we can see the moon during the evening or the day.
