Answer:
D.
Explanation:
A and B have no justification or details to support them so you can rule them out automatically. Then, by rereading the question you can see that you are supposed to infer, not restate, which rules out C as well. That leaves you with D. Hope this helps :)
Answer:
Explanation: I read this book last year, and I highly recommend reading it. It’s really good, but also had a very somber tone since this was Anne’s actual diary during the Holocaust. Anne Frank was afraid of the Nazi soldiers. Unfortunately, Anne actually died in a concentration camp when she was only 15 years old.
<span>The Fiery Planet. Directed by Michael Douglas. Produced by Disney Studios. Disney Studios, 2005.</span>
Anne Frank's 'Diary of a Young girl', starts from her teenage, where she is in a state of mind that tries to explore only those elements that interest her. As she progresses in writing her diary, the entries we read differ a lot when compared to the beginning ones.
Explanation:
Anne Frank's ideas and thoughts while she started writing her diary are way different and simple from the ones that we read in the middle and towards the end. The amount of learning, experiences, trauma, failures and success that she describes while she wrote her entries makes readers feel that it is not just a diary entry but a part of her soul talking to the reader, in a hope to make herself feel better.
Anne Frank's thoughts on Politics, on relationships, on Journalism, on Teaching and on aspects that relate to life as a natural part for every human being changed in the course of her entries. This 'change' as a part of her life can be called as 'improvement' or also called as 'maturity'.
Her attitude towards how war can destroy lives and take on peace, eventually moving to journalism as a subject of choice and view on political aspects explain readers about her growth in all aspects towards the end of the diary.
Answer:
Montag's wife whom he courted in Chicago and married when they both were twenty, Mildred characterizes shallowness and mediocrity. Her abnormally white flesh and chemically burnt hair epitomize a society that demands an artificial beauty in women through diets and hair dye. Completely immersed in an electronic world and growing more incompatible with Montag with every electronic gadget that enters her house, she fills her waking hours with manic drives in the beetle and by watching a TV clown, who distracts her from her real feelings and leads her nearly to death from an overdose. Unwilling and unable to analyze rationally, she lives the shallow life that Beatty touts — acquiescence to a technological chamber of horrors. She distances herself from real emotion by identifying with "the family," a three-dimensional fiction in which she plays a scripted part. Her longing for a fourth wall of television suggests her capability of submerging in fantasy to withdraw from the roles of wife, mother, and whole human being.
Addicted to the labor-saving machines that toast and butter her bread and fill her mind with simplistic entertainment, she forgets to bring aspirin to her ailing husband and recedes into communication. Her replies to him are impersonal and callous, as illustrated by her bland announcement of Clarisse's death. To remove any doubts about her materialistic, robotic lifestyle, Mildred surrounds herself with friends like Clara Phelps and Ann Bowles, vapid and witless dullards who select a presidential candidate by his televised good looks. Unsurprisingly, Mildred betrays her husband and flees their marriage while mourning the loss of her TV family. Her white-powdered face, her colorless lips, and her stiff body foreshadow the corpse she soon becomes. The oppression and militarism that she so willingly accepts expectedly turns on her and exterminates her in a single apocalyptic blast.
