That statement may just be true
Answer:
A clear example of modernism is the approval of heterosexual marriage, of the acceptance of legal abortion, and the artist mobilization that it generated in the sense that it began to express that "the future has arrived" with works of art rich in colors, works blacksmithing and glass, and also with a portion of eroticism of free expression where before it could be daring.
Modernism left sex as taboo, today sexual education has expanded significantly in adolescent society in order to inform, in this way the talk of these sexual issues was normalized making it more habitual and not as a world of the unknown.
This was because many professionals or researchers showed that STDs in many cases appeared due to lack of information on the subject or sexual world or lack of education as to what measures to take in said act.
Explanation:
Modernism as every social evolutionary stage was accompanied by an enriched sociocultural level, an art rich in curves and asymmetries, avant-garde, eroticism, elongated and rammed formats begins to appear.
Like every stage, art did not go only to the path of modernism, but there were also changes in architecture, the structures began to point to a rupture interpretation
Answer:
Explanation:
The NeverEnding Story II: The Next Chapter is a 1990 English-language German fantasy film and a sequel to The NeverEnding Story. It was directed by George T. Miller and stars Jonathan Brandis as Bastian Bux, Kenny Morrison as Atreyu, and Alexandra Johnes as the Childlike Empress. The only actor to return from the first film was Thomas Hill as Carl Conrad Coreander. The film used plot elements from Michael Ende's novel The Neverending Story (primarily the second half) but introduced a new storyline. Upon its American theatrical release in 1991, the Bugs Bunny animated short "Box-Office Bunny" was shown before the film. This short was also included on the VHS and LaserDisc release later that year.
Answer: The correct answer is : The climax of this story begins when Prospero orders his revelers to unmask the mysterious stranger. They began to look in each of the rooms of different colors until they reached the last one, the black one in the western part of the corridor, everyone is scared to see the intruder in a horrible suit of death and blood. Prospero orders to be caught and unmasked to be able to punish him, but all the guests are very scared and he has to do it himself. Prospero finds out that the stranger is the red death that is there to kill him and also his revelers. The figure faces Prospero and the Prince falls to the dead ground.
