The moral of the story The Show Must Go On is that although though some people and circumstances may seem like challenges when they first enter our life, we should remain positive and see them as chances to improve both ourselves and our job.
Tessa is first upset when she is partnered with Varick since, contrary to her expectations, he is a Midwestern guy who has never left his home in Ohio and neither resembles her nor is linked to any notable people. As the novel goes on, Varick, however, ends up being Tessa's saving grace.
He instils in her the value of seizing any chance that presents itself. When she found out that he had an open-ended script that he planned to build impromptu as he filmed for, she was astonished. She considered his suggestions to be a missed chance. As the plot develops, Tessa learns to value her partner's viewpoint.
She makes friends with Varick, sharing her work with him and talking about it. In the end, she learns to utilize the museum's refusal as an opportunity to get footage of the runners as they pass by, saving her film. Her film was well received by the judges, and she learns that "The Show Must Go On".
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Answer:
Answer:
1. The ball is round.
2. The roof is triangular in shape.
3. The handkerchief is diamond in shape.
4. The blackboard is rectangular in shape.
5. The sausage are oblong
Answer:
B. Because it renewed Britain's resolve to fight the war against Germany
Explanation:
Probably Churchill's most famous speech was that of June 18, 1940, when Britain was left alone in the war after the defeat of France, which occupied part of the territory occupied by the German army.
This speech earns important credit for cheering the UK on the eve of the British-German air confrontation over the waters of the English Channel. Despite initial skepticism, Churchill's words inspired the British and for many historians played a key role in boosting Allied victory in World War II.
Answer:
1. Directions 2. closely 3. tongue
Explanation:
C. Characterization occurs through the potentially biased point of view of one character.
