Answer:
Brainstorming for a job you may like when you grow up. Maybe have a career along with it like rapping, animating or doing videos. Another milestone would be to have a beautiful husband/wife with adorable kids. Have a nice house, without having to worry about bills much.
Answer:
1. *Psyco
2. I was never afraid of dying
Explanation:
If im on the right track then a way to right it with dashes would be: Sacrificing her was a mistake-a mistake that could have been avoided. but i may not have understood the question??
Father Amadi bids farewell to several family while Kambili follows behind. Father Amadi rubs his face to Kambili's, but doesn't kiss her, after one visit, as they are getting into the car.
She will find all the affection she needs, he assures her, and she is gorgeous. Kambili believes he is mistaken. Kambili sobs while gazing out the window as they drive home.
When Kambili goes on her first expedition with Father Amadi, her quest toward freedom continues. While Kambili is staying with her relatives, Father Amadi, a young priest who has a favourable opinion of Kambili, tries to help her discover her voice.
To learn more about Father Amadi here:
brainly.com/question/26215160
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<span>Thinking back, the narrator recalls, “Now and then we would see her in one of the downstairs windows.” Likely, it only occurred to the narrator after learning about Homer Barron that Miss Emily was always in a downstairs window. In fact, earlier in the story, the narrator only says that “a window that had been dark was lighted and Miss Emily sat in it” when the men of the won sprinkled lime around her house to kill the offensive smell that emanated from it. He does not specify where in her house the window was. Moreover, he declares that Miss Emily “had evidently shut up the top floor.” Obviously, it was only “evident” that Miss Emily had closed off the upstairs of her home after her death when the townspeople forced their way into the house, up the stairs, and into the tomb-like room where the body of Homer Barron lay.
This passage also plays with the notion of seeing and being seen, the ambiguity of watching and being watched. The narrator states, “Now and then we would see her.” He goes on to explain that whether Miss Emily was “look...</span>